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  • 7
    Apr
    2013
    11:44pm, EDT

    Luke Bryan pulls off huge upset at ACM Awards

    By Anna Chan, TODAY

    Luke Bryan pulled off a shocking win on Sunday night when he beat out heavyweights Blake Shelton, Jason Aldean, Miranda Lambert and Taylor Swift to win the Academy of Country Music Award's biggest prize of the evening: entertainer of the year. The winner is chosen by fan votes.

    The musician, who co-hosted the show with Shelton, was stunned after his name was announced, and appeared to cry as he slowly walked out from backstage to accept the award from Shania Twain, who was making her first appearance at the ACMs in 10 years. Even with his trophy in hand, Bryan stood in silent shock at the microphone for a long while.

    "This is ... I don't know what to say, you guys," he finally started. "Thank you guys so much, fans, for doing this to me, thank you so much for making my life what it is. What I always wanted to be was just a country singer that got to ride on a tour bus and show up on a new stage and play music every night. … I just started headlining! … Every time I step on stage, it is a blessing to me to play for fans. ... This is the defining moment of my life!"

    Bryan, 36, been on the scene since his debut album was released in 2007, but wasn't a headlining act until his single "Country Girl (Shake It for Me)" exploded after he started delivering booty-shaking performances of the catchy tune at awards shows in 2011.

    Slideshow: 2013 Academy of Country Music Awards

    Al Powers / AP

    Launch slideshow

    The other big winner of the night was Shelton's wife, Miranda Lambert. She took home three of the four trophies she was nominated for: song and single record of the year for "Over You," and female vocalist for the fourth year in a row. Lambert shared the song of the year victory with her husband, who co-wrote the tune.

    "Last time this happened, you didn't get a chance to talk, and you're not going to get a chance either this time," he joked as he and his wife accepted their trophies. "I'll tell you all something: I’ve learned so much from this human being standing next to me … she blows me away, but as far as standing here right now, I used to think I was a decent songwriter until I started hanging out with her."


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    Notable moments from the show included Garth Brooks and George Strait's performance together; Reba McIntire's announcement that the ACM was "renaming its most prestigious honor to the ACM Dick Clark Artist of the Decade Award"; and Stevie Wonder closing the show with "Signed, Sealed, Delivered."

    The complete list of winners:

    • Entertainer of the year: Luke Bryan
    • Male vocalist: Jason Aldean
    • Female vocalist: Miranda Lambert
    • Vocal duo: Thompson Square
    • Vocal group: Little Big Town
    • New artist: Florida Georgia Line
    • Album: Eric Church, "Chief"
    • Single record of the year: Miranda Lambert, "Over You"
    • Song: Miranda Lambert, "Over You"
    • Video: Little Big Town, "Tornado"
    • Vocal event: "The  Only Way I Know," Jason Aldean with Luke Bryan and Eric Church
    • New male vocalist: Brantley Gilbert
    • New female vocalist: Jana Kramer
    • New vocal duo or group: Florida Georgia Line

    The 48th Annual ACM Awards was held at the MGM Grand in Las Vegas.

    The Associated Press contributed to this report.

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  • 27
    Feb
    2013
    10:55am, EST

    Tina Fey, Seth MacFarlane both say they won't host Oscars -- so who should?

    By Gael Fashingbauer Cooper, TODAY

    He received decidedly mixed reviews for his Sunday night stint hosting the Oscars. She was mentioned, along with comedy partner in crime Amy Poehler, as a dream host for the future. But both Seth MacFarlane and Tina Fey have now gone on record saying they won't host next year's show.

    Paul Drinkwater / NBC via AP

    Tina Fey, seen here hosting the Golden Globes with Amy Poehler, says she won't host the Oscars.

    In a comedy bit that opened the awards show, William Shatner muttered, "Why couldn't they get Tina and Amy to host? Why can't Tina and Amy host everything?"


    Follow @ TODAY_ent

    Fey told The Huffington Post that she was flattered "to be Shatnered," but said she won't be looking to host the show.

    "I just feel like that gig is so hard," Fey told the site. "Especially for, like, a woman -- the amount of months that would be spent trying on dresses alone ... no way."

    When writer Mike Ryan pushed Fey, asking if there was a "one in a million chance," she still declined, saying "I wish I could tell you there was."

    As for MacFarlane, he responded to a Twitter fan who asked him if he'd host again with "No way. Lotta fun to have done it though."

    With Fey and MacFarlane out of the running, the Academy organizers will have to start combing through a long list of possible hosts. Recent hosts have included Billy Crystal, James Franco and Anne Hathaway, Alec Baldwin and Steve Martin, Hugh Jackman, Jon Stewart and Ellen DeGeneres.

    It's a list that heavily favors comedians, but there the Academy walks a fine line. Edgy comics like MacFarlane and three-time Golden Globes host Ricky Gervais may appeal to a younger audience, but also run the risk of alienating viewers who like their Oscar humor safe and friendly. And there's no denying it's a great deal of work for a famous name who arguably doesn't gain much from taking the job but has a lot to lose if his or her hosting night goes awry. It might even be easier to win an Oscar than to successfully host one.

    Who would you like to see host the 2014 ceremony? Vote in our poll, and tell us on Facebook.


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  • 25
    Feb
    2013
    2:35pm, EST

    5 most controversial Seth MacFarlane Oscar lines include fat joke, assassination humor

    By Gael Fashingbauer Cooper, TODAY

    Seth MacFarlane's Sunday-night stint hosting the Oscars drew both criticism and praise. The "Family Guy" host definitely pushed the envelope -- it was hard to imagine some of his jokes coming from past Oscar hosts, such as Billy Crystal or Ellen DeGeneres. Here's a look at five of his most controversial lines.

    Robyn Beck / AFP - Getty Images

    Host Seth MacFarlane pushed the envelope on Oscar humor, and not everyone laughed.

    1. "I would argue, however, that the actor who really got inside Lincoln's head was John Wilkes Booth." 
    MacFarlane followed this up by acknowledging the audience's groans and gasps, saying "150 years and it's still too soon, huh?" Too soon, or just too crass. After all, "South Park" once joked about Lincoln's assassination, sending a giant statue of Booth after a giant rampaging statue of Lincoln. Big difference: Their joke was actually funny. 


    Follow @ TODAY_ent

    2. "To give you an idea of how young (Quvenzhane Wallis) is, it'll be 16 years before she's too young for Clooney."
    This joke doesn't even make that much sense. Wallis is 9, so he's joking about her dating someone at age 25, and George Clooney may have some younger girlfriends at times, but he's no Doug Hutchison (the 51-year-old actor who wed 16-year-old Courtney Stodden in 2011.) It might be different if Clooney had a sleazy reputation. But there's one saving grace -- at least MacFarlane didn't go as far as the Onion and refer to the 9-year-old nominee with an offensive sexual term.

    3. "Rex Reed will be out here to review Adele’s performance of 'Skyfall.'"
    The remark assumes viewers know that movie critic Rex Reed took heat for comparing "Identity Thief" star Melissa McCarthy to a hippo. So MacFarlane's calling Adele, a gifted singer and one of the few women at the Oscars who didn't look bone-thin, a hippo? Gee, we wonder why some viewers, Adele fans or not, took offense.

    4. "(There's) a lot of controversy over the multiple uses of the n-word (in 'Django Unchained.')  I am told the screenplay is loosely based on Mel Gibson's voice mails."
    When this met with disapproval from the audience, MacFarlane cracked, "Oh, you're on his side." Gibson's problems with ethnic slurs are well-documented, but they also feel a little old. No one's on Gibson's side when it comes to the slurs, but maybe they're ready to move on?

    5. "('Django Unchained') is the story of a man fighting to get back his woman, who's been subjected to unthinkable violence. Or as Chris Brown and Rihanna call it, a date movie."
    MacFarlane seemed to instantly know joking about domestic violence wasn't winning him friends. "That's as bad as it gets, if it makes you feel better," he said, then bluntly adding, "It's really not as bad as it gets." Nope, it wasn't. Still to come were jokes about eating disorders, a song called "We Saw Your Boobs," a description of college women as "coeds" and the implication that Jennifer Aniston was a stripper. We've come a long way from Bob Hope cracking, "Welcome to the Oscars, or, as we call it at my house, Passover."

    What did you think of MacFarlane's jokes? Appropriate and edgy, or mean? Vote in our polls, and tell us on Facebook.


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  • 25
    Feb
    2013
    11:20am, EST

    Peter Brady, is that you? Here's the story of Oscar host resemblance

    By Gael Fashingbauer Cooper, TODAY

    One's a "Family Guy," the other wanted to "somehow form a family." Oscar-watchers were of differing opinions on host Seth MacFarlane's performance at Sunday's big awards show, but many found one thing to agree on: He looked an awful lot like Peter Brady.

    TODAY

    Here's the story: Some Oscar-watchers felt host Seth MacFarlane looked more than a little like Peter Brady.

    Twitter users spotted the comparison early, and began sharing photo comparisons and of course, "Brady" references. (Some saw a mixed resemblance, saying MacFarlane also looked like Donny Osmond.)

     

    You remember Peter, the Brady family's middle son, played by actor Christopher Knight. Peter loved movies too -- he famously once tried to say "pork chops and applesauce" in the style of Humphrey Bogart. And he was more than a little into drama, once getting big brother Greg to attempt a "Cyrano" act with him in hopes of charming a girl, and pretending to his parents that he was still employed after a bike shop fired him for working too slow.

    MacFarlane acknowledges the resemblance, telling Parade magazine on Sunday, "I get a lot of 'Hey, aren't you Peter Brady?'" And maybe the resemblance is more than skin-deep.

    If you'll remember, poor Peter, like middle sister Jan, had it a little rough. He never pulled off the suave charm of Greg or the little-kid cuteness of little Bobby. Maybe, as the mixed reviews of MacFarlane's hosting gig continue to trickle in, the comic can relate.

    Do you see the resemblance? Vote in our poll, and tell us on Facebook.

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  • 25
    Feb
    2013
    8:15am, EST

    How did Michelle Obama end up announcing best picture?

    By Gael Fashingbauer Cooper, TODAY

    Oscar night was a good time for Ben Affleck, Jennifer Lawrence and Daniel Day-Lewis, and a mixed bag for viewers. The awards show was long and uneven, and also a puzzling night in many respects. We tackled some of the unanswered questions that remained after the Dolby Theatre emptied.

    What was up with Michelle Obama's cameo?
    Jack Nicholson took the stage to announce the best picture winner, but then the show cut to a satellite feed of first lady Michelle Obama live at the White House, wearing a glittery gown and announcing that "Argo" was the Oscar winner. The Hollywood Reporter writes that movie mogul Harvey Weinstein and Oscar producers worked the deal out with the first lady's staff and managed to keep it secret. Obama had been attending the National Governors Association Dinner and stepped out to handle the award announcement. What we found most interesting: Nicholson had a backup envelope with the winner's name in it just in case the White House feed was somehow lost. Obama herself later tweeted, "It was a thrill to announce the #Oscars2013 best picture winner from the @WhiteHouse! Congratulations Argo!"

    Was Andy Griffith left out of the In Memoriam segment?
    Yes he was. While Griffith, who died in July, is best known for TV roles, he also starred in feature films, including "No Time for Sergeants," "A Face in the Crowd," "Waitress" and others. Also left off was Larry Hagman, whose films included "Fail-Safe," "Nixon" and "Primary Colors." Phyllis Diller, Sherman Hemsley and Conrad Bain didn't make the cut either. But fans of Whitney Houston need not complain: She was in last year's In Memoriam segment, having died just weeks before the 2012 Oscars.

    Why do the Oscars love 'Chicago' so much?
    The show's theme was music in film, but you'd be forgiven if you thought its theme was "Hey, Wasn't The 2002 Best Picture Winner Really Great?" Catherine Zeta-Jones performed "Chicago" hit "All That Jazz" and a group of the film's cast members reunited on stage as part of the show's tribute to musicals. Critics were quick to point out that the current Oscar producers Craig Zadan and Neil Meron also produced "Chicago." Wrote TV critic Tim Goodman on Twitter, "Maybe I'll wake up tomorrow to find the Academy charged Zadan and Meron the cost of five commercials for that (expletive) 'Chicago' self-love."

    Was this the longest show ever?
    Not by a long shot. Sunday's show lasted three hours, 35 minutes. According to the L.A. Times, five shows were longer, with the 2002 show clocking in at four hours, 23 minutes, and two other years also passing the four-hour mark.

    Wait, Scarlett Johansson sang one of the nominated songs?
    Yep. Johansson sang best original song nominee "Before My Time," from the climate-change documentary "Chasing Ice." She was accompanied by violinist Joshua Bell on the song. It didn't win, but songwriter J. Ralph, who also worked with Johansson on a song for a 2010 film about autism, calls the actress "a world-class singer in every regard."

    What tripped up Jennifer Lawrence?
    The best actress winner wiped out while walking to receive her award, then joked that the audience only gave her a standing ovation because they felt sorry for her. What caused the fall? E! Online quotes Lawrence as saying, "What do you mean, what happened? Look at this dress." Her pink Dior gown was apparently just too much volume for the 22-year-old, at least when it came to stair-climbing.

    Why was Kristen Stewart limping?
    If you saw "Twilight" star Stewart on either the red carpet, hopping from foot to foot as the paparazzi cameras flashed, or watched her closely when she came on stage with Daniel Radcliffe, you probably spotted a hitch in her walk. Her makeup artist told People magazine that Stewart cut her foot severely on broken glass, and indeed, she sported crutches on the red carpet. 

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  • Updated
    26
    Feb
    2013
    2:49pm, EST

    'Argo,' Day-Lewis, Lawrence are winners on sluggish Oscar night

    By Gael Fashingbauer Cooper, TODAY

    Ben Affleck's revenge? Maybe. Despite the "Argo" director's much-talked-about snub on the best director nomination list, his film took home the best picture Oscar Sunday night, the final award of an evening that seemed even more ploddingly paced than usual.

    Affleck seemed genuinely thrilled and touched as he speed-shouted out his thanks, including expressing gratitude to Canada, a near-necessity after that country's ambassador said he felt his nation's contributions to the 1980 rescue depicted in the film were underplayed.

    AP

    The Ben Affleck-directed film "Argo," Jennifer Lawrence and Daniel Day-Lewis were major winners at Sunday night's Oscars.

    "I was here 15 years ago and I had no idea what I was doing," Affleck said, referring to his 1997 original screenplay Oscar win for "Good Will Hunting." "I never thought I'd be back here."

    In a surprise twist, the win for "Argo" was read not by presenter Jack Nicholson, but by first lady Michelle Obama, via a live satellite presentation from the White House.

    Obama praised the importance of the arts in the lives of young people, saying "every day, through engagement in the arts, our children learn to open their imaginations, to dream just a little bigger and to strive every day to reach those dreams."

    Slideshow: 2013 Academy Awards red carpet

    /

    Launch slideshow

    "Argo" beat out eight other best-picture contenders, including Steven Spielberg's "Lincoln," which was expected by many to dominate the night. But helped in part by publicity from the Affleck snub, "Argo" came on strong and by Oscar night, was considered by many to be a best-picture favorite.

    "Lincoln" didn't follow through on its early best picture hopes, but for months, star Daniel Day-Lewis had been the overwhelming favorite. He didn't disappoint -- he took home his third best actor Oscar, making him the first actor to claim three wins in that category. He was quick to joke with presenter Meryl Streep, saying, "before we agreed to a straight swap, I had been commissioned to play Margaret Thatcher." Streep won an Oscar for playing Thatcher in "The Iron Lady" in 2011.

    Jennifer Lawrence surprised many by claiming the best actress honor for her role in "Silver Linings Playbook," then surprised them again by tripping as she walked up to accept the award. She put her hands down on the stairs leading to the stage, steadied herself, and continued on to the microphone.

    "You guys are just standing up because you feel bad that I fell," Lawrence said, looking out at the standing ovation that greeted her.

    Christoph Waltz won the night's first statuette, for "Django Unchained," 15 minutes into the show, kicking off a long slog of musical numbers and minor awards until Anne Hathaway's  best supporting actress award an hour and a half later.

    In his speech, Waltz gave special thanks to Quentin Tarantino, the film's director, saying "you climbed the mountain ... because you were not afraid."

    Hathaway won as expected for her role as the desperate prostitute Fantine in the big-screen version of "Les Miserables," a part her own mother once played on a national tour.

    "It came true," Hathaway said while holding her trophy. She closed her speech with the hope that in the future, "the misfortunes of Fantine will be found only in stories and never again in real life."

    Mario Anzuoni / Reuters

    Anne Hathaway accepts the award for best supporting actress for her role in "Les Miserables.


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    The best director category became controversial back when the nominees were announced, with Affleck and "Zero Dark Thirty" director Kathryn Bigelow left off the list. Many awards-watchers felt Steven Spielberg would claim the honor for "Lincoln," but it was Taiwanese director Ang Lee who won the Oscar for his work on "Life of Pi."

    "Family Guy" host Seth MacFarlane began the show with a lengthy song, dance and humor segment that included an appearance by William Shatner, appearing as "Star Trek's" Captain Kirk, and chastising MacFarlane for a supposed poor performance that Kirk came back from the future to correct.

    MacFarlane's humor is often risque, and a few lines from his opening segment and throughout the show earned gasps from the audience. He joked that "Django Unchained's" near-constant use of the n-word was because the film was "loosely based on Mel Gibson's voicemails."

    Later in the show, MacFarlane complimented Daniel Day-Lewis' performance in "Lincoln," and said that "the actor who really got inside Lincoln's head was John Wilkes Booth." The reference to Lincoln's assassin didn't go over well, leaving MacFarlane to crack, "Really? 150 years and it's still too soon?"

    The show's theme was music in film, which was spotlighted in numerous segments.

    The always-popular "In Memoriam" montage showing photos of those in the industry who died in the past year ended with an image of Marvin Hamlisch. As his image scrolled away, Barbra Streisand strolled on stage to sing Hamlisch's "The Way We Were," which won the best original song Oscar in 1973.

    A montage of dramatic scenes from James Bond films was shown to celebrate that film franchise's 50th anniversary, with Bond girl Halle Berry introducing the footage. Singer Shirley Bassey, who sang three of the Bond theme songs, sang "Goldfinger" as part of the tribute.

    It was a timely nod, because later in the show, singer Adele and co-writer Paul Epworth won the Oscar for best original song for "Skyfall," the theme to the latest Bond film.

    Kevin Winter / Getty Images

    Adele accepts the Oscar for best original song for "Skyfall."

    A tribute to movie musicals featured Catherine Zeta-Jones singing "All That Jazz" from "Chicago," and Jennifer Hudson bringing down the house with "And I Am Telling You I'm Not Going" from "Dreamgirls." Hugh Jackman, Anne Hathaway, Eddie Redmayne, Amanda Seyfried, Samantha Barks, Russell Crowe and other cast members from "Les Miserables" capped off the performances with a medley from their musical.

    Both screenplay awards went to best picture nominees. Quentin Tarantino won the original screenplay award for "Django Unchained," the slavery drama that had already won Waltz his supporting-actor honor. Praising the strong work of current screenwriters, including his competition, Tarantino announced, "This will be the writer's year!"

    "Argo," adapted from an article in Wired magazine, won the award for best adapted screenplay, with writer Chris Terrio dedicating the honor to CIA employee Tony Mendez, who was instrumental in the 1980 rescue of American embassy employees from Iran that forms the center of the film.

    "33 years ago, Tony, using nothing but his creativity and his intelligence ... got six people out of a bad situation," Terrio said.

    Slideshow: 2013 Academy Awards

    ABC

    Launch slideshow

    The best sound editing award ended in an Oscar rarity — a tie. Presenter Mark Wahlberg announced the Academy had come to a split decision, and gave the award to both "Zero Dark Thirty" and "Skyfall."

    "Life of Pi" won the most Oscars of the night. In addition to Lee's best director honor, the film claimed awards for cinematography, original score and visual effects. The winners of the visual effects award were cut off by the ominous theme from "Jaws" as their speech ran over — a musical choice that was revisited later when "Searching for Sugar Man," a documentary about little-known American singer Rodriguez and his unexpected popularity in South Africa, won the Oscar for best documentary feature and the film's director began to ramble.

    "Brave," the story of a Scottish princess who battled to establish an adult relationship with her mother the queen, won the Oscar for best animated feature. "Paperman" won the award for best animated short.

    "Anna Karenina" won for best costume direction, and "Les Miserables" for makeup and hair.

    "Curfew" won the award for live-action short film, and "Inocente" for documentary short subject.

    "Les Miserables" won the Oscar for best sound mixing.

    "Lincoln" won for production design.

    Austria's "Amour," which was also nominated for best picture, won the award for best foreign-language film. The film, set in France, stars French actress Emmanuelle Riva, who turned 86 on Oscar night and was a best actress nominee.

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    This story was originally published on Sun Feb 24, 2013 8:58 PM EST

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  • 24
    Feb
    2013
    12:28am, EST

    Oscar race is going right down to the wire

    By Gael Fashingbauer Cooper, TODAY

    If you're a betting sort, you'd be better off steering clear of a lot of Academy Awards action this weekend. Find another place to wager -- maybe April's NFL draft or the weekend box-office numbers. While some Oscar categories seem like total locks, there's enough last-minute murmuring among film fans that a few shake-ups are almost guaranteed.

    Warner Bros., DreamWorks

    "Argo" and "Lincoln" are still favorites for the best-picture Oscar in what remains a wide-open race.

    Start with your sure things. You're good to go if you pick Adele's "Skyfall," the James Bond theme song, to take home the best original song honor. Daniel Day-Lewis is unlikely to be toppled as the best actor front-runner, and Anne Hathaway is dreaming a very good dream as she scoops up award after award for her role as Fantine in "Les Miserables" -- she'll likely claim the best supporting actress Oscar too.

    But in category after category, all bets are off. Best picture looked like a lock for "Lincoln," but a snub in the best director category for Ben Affleck threw the spotlight on "Argo." Sure, he won't be competing with Steven Spielberg and Ang Lee for the director's Oscar, but his being ignored may have helped his film gain attention -- and maybe a statuette.

    Best actress? Jessica Chastain was an early favorite for her role as CIA agent Maya in "Zero Dark Thirty." Her star has fallen as young upstart Jennifer Lawrence of "Silver Linings Playbook" earned more and more attention. Lawrence, just 22, claimed the Golden Globe and the Screen Actors Guild honor for her role. And as Oscar night looms, the oldest contender of all is starting to claim some buzz. French actress Emmanuelle Riva, nominated for her role in "Amour," is 85 -- and she'd be the oldest best actress winner ever if she receives the trophy. (There's also a young contender in Quvenzhane Wallis, who is just 9, but it'd be a shock if she pulled it off.)


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    The winners aside, the ceremony itself is also full of unanswered questions. "Family Guy" creator Seth MacFarlane will host for the first time, and his edgy humor isn't the style the Oscars usually go for. He could neuter his jokes for a presumably more traditional Oscar audience, or he could go all-out with innuendo and insults, which could either earn him criticism or praise for pushing the envelope.

    Slideshow: 2013 Oscar nominees

    Warner Bros., DreamWorks, Univer

    Launch slideshow

    Though the Oscar show lineup isn't clear, plenty of rumors are out there about what will happen when. Some major stars will be presenting awards, including Jack Nicholson, Dustin Hoffman and Meryl Streep.

    There's expected to be a segment honoring 50 years of James Bond, though early hopes that all of the Bond actors would reunite seem to have been dashed. A tribute to movie musicals, pegged to the best-picture nomination for "Les Miserables," is expected to highlight recent musicals such as "Chicago" and "Dreamgirls."

    Many eyes will be on the annual In Memoriam tribute. Every year, viewers watch for inclusion of their favorite movie stars, directors and others in the industry who passed away the previous year. And every year, the montage leaves one or more major names out, and Twitter lights up with complainers. This year, it will be especially tough for the Academy to please everyone. 2012 saw dozens of deaths from all aspects of moviedom, from Whitney Houston to Jack Klugman, Ernest Borgnine to Nora Ephron.

    And those who remember Academy Awards telecasts past, where the orchestra rushes to play off winners whose blather on in their speeches, know that the three-hour show always has trouble keeping to its timetable. Which makes a recent Academy decision seem odd, or perhaps welcome: Instead of ending the show with the night's biggest award -- best picture -- the Academy has announced it will end with a musical number by host MacFarlane and Broadway and Hollywood star Kristin Chenoweth. Makes sense if you consider that this means the final speeches won't be cut short. But will viewers stick around for a musical number once they've already seen the show's last big award? Like so many questions about this year's Oscars, we won't know until the end of the show.

    The Oscars air Sunday at 8:30 p.m. ET on ABC.

    Who do you pick to win? Vote in our poll, and tell us on Facebook.

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  • 23
    Feb
    2013
    11:37pm, EST

    'Twilight' finale rakes in seven Razzie Awards

    By Gael Fashingbauer Cooper, TODAY

    What will the Razzie Awards, given out the night before the Oscars each year, do next year with no “Twilight” film in the offering? Saturday night, the annual bad-movie honors crowned the Cullen coven and their wolfpack friends with seven bad-film honors, including worst screen ensemble for “Breaking Dawn Part 2,” worst director for Bill Condon, worst actress for Kristen Stewart and worst supporting actor for Taylor Lautner.

    Slideshow: ‘Twilight’ stars light up Hollywood

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    You can agree with or argue with those as you like, but it’s hard to argue with Lautner’s other dishonor. He and young actress Mackenzie Foy, now 12, won for worst screen couple. If you saw the film, you know that late-teen Jacob falls in love with Foy’s character as an infant – though the book and film try to make it clear that nothing will happen between them until she’s older, and calls it “imprinting,” not creepy newborn-teenager love.

    Stewart’s own “Twilight” love interest, Robert Pattinson, was spared the worst actor award, which went to Adam Sandler for “That’s My Boy,” which is creeptastic from plot to finish. It’s based on a Mary Kay Letourneau-like case where Sandler gets his teacher pregnant when he is just 13, then reconnects with the child he named Han Solo, who’s grown up to be Andy Samberg. Why all the creepy child-sex plotlines, Hollywood? If you want to stay off the Razzies list, this is not the theme to follow.

    Why did “Breaking Dawn Part 2,” such a huge box-office phenomenon, do so well at the bad-movie awards? The Associated Press quoted Razzies founder John Wilson as saying, “I have a pet theory, which is that the box office on 'Twilight' films is very impressive, but my theory is that instead of 40 million individual girls going to see it, it's 8 million girls going to see it five times each.”


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    For worst picture, “Breaking Dawn Part 2” beat out "Battleship," ''That's My Boy," Eddie Murphy’s “A Thousand Words” and the little-seen and horribly titled kid movie "The Oogieloves in the Big Balloon Adventure.” And here’s where the “Twilight” coven can take some comfort. They may have won the category, but “The Oogieloves” is considered one of the worst financial box-office bombs of all time. It reportedly cost $20 million to make and another $40 million to market, but made only $1 million while playing 2100 theaters, averaging a sad $47 per theater.

    Is the "Twilight" finale the worst movie of 2012? Vote in our poll, and tell us on Facebook. 

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  • 23
    Feb
    2013
    8:25pm, EST

    'Silver Linings Playbook' leads Spirit Awards with four prizes

    By Access Hollywood

    The oddball romance “Silver Linings Playbook” has been named best picture at the Spirit Awards honoring independent film, Hollywood’s last pre-game show before the Academy Awards. 

    “Silver Linings Playbook” led the show Saturday with four prizes, including best actress for Jennifer Lawrence and director and screenplay for David O. Russell.

    VIEW THE PHOTOS: Stars Who Split In 2013

    Lawrence is the best-actress favorite at Sunday’s Oscars for “Silver Linings,” in which she plays a young widow in a new relationship with a man fresh from a mental hospital.

    Slideshow: 2013 Oscar nominees

    Warner Bros., DreamWorks, Univer

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    “The Sessions” earned two acting prizes, for lead actor John Hawkes as a man in an iron lung hoping to lose his virginity and Helen Hunt as the sexual surrogate helping him through it. 

    VIEW THE PHOTOS: The Hunger Games: Catching Fire — New Posters Revealed!

    The best supporting actor award went to Matthew McConaughey as a flamboyant stripper in “Magic Mike.”

    Related content:

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    • 5 tips for winning your Oscar pool

     

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  • 20
    Feb
    2013
    8:06am, EST

    Odds for a bright future are slim for kid Oscar nominees

    By Rick Warner, TODAY contributor

    If 9-year-old Quvenzhane Wallis wins an Oscar for "Beasts of the Southern Wild," she’ll be the youngest performer ever to capture an adult version of Hollywood’s most coveted prize. Unfortunately for Wallis, her chances of taking home the gold-plated statuette for best actress are slim, and if history is a predictor, being bestowed with an Oscar at such a young age won't do much for her career anyway.

    Reuters, WireImage

    If Wallis, left, wins, she'd be the youngest winner ever. Anna Paquin, right, was 11 when she won for "The Piano" in 1993, but Tatum O'Neal was just 10 when she won for "Paper Moon" in 1973.

    Wallis, who was only 6 when she made "Beasts of the Southern Wild,"’ is the 22nd actor or actress to get an Oscar nomination before turning 18. Only three have won, however, and all for supporting roles: Tatum O’Neal, Anna Paquin and Patty Duke.  That’s not counting the honorary juvenile award first given to 6-year-old Shirley Temple in 1935 and last handed out to 14-year-old Hayley Mills in 1961.


    The youngest winner was O’Neal, just 10 when she was honored for her precocious performance as the sidekick of a Depression-era con man (played by her father Ryan) in 1973’s "Paper Moon." She went on to star in "The Bad News Bears" and "International Velvet," but drug problems -- the result, according to her autobiography "A Paper Life," of growing up with an alcoholic mother and abusive father living in Hollywood’s fast lane -- derailed her career and marriage to tennis great John McEnroe.

    Paquin, who was 11 when she won for 1993’s "The Piano," is the anomaly. She stars in HBO's "True Blood," had a recurring role in the "X-Men" series and has scored great film roles in "Almost Famous" and "The Squid and the Whale."

    Duke's career trajectory was much different. Winning the the supporting-actress award for playing Helen Keller in "The Miracle Worker" (1962) when she was 16 did not "open any doors for me," she told TODAY.com.

    Sure, she parlayed her Oscar into a TV series, "The Patty Duke Show," but her feature-film career fizzled as an adult and she mostly appeared in made-for-TV movies."It's a kick when people refer to me as an Oscar winner," she said. "But part of me says, 'Hey, I’m 66 years old. When are you going to give me another part for which I could be nominated?' "

    Slideshow: Young Oscar nominees

    Fox Searchlight Pictures

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    While Wallis is the youngest best actress nominee, she's not the youngest nominee ever -- that goes to Justin Henry, only 8 when he played the child of divorcing parents in "Kramer vs. Kramer’’ (1979).  He’s never given up acting, but he hasn’t achieved the same kind of recognition again, and now works as a sales director for an Internet ad company.

    " 'Kramer vs. Kramer' spoiled me," he told TODAY.com. "When you have such a magical experience with your first movie, it’s hard to match after that."

    Haley Joel Osment, who was 11 when he was nominated as the boy who sees dead people in "The Sixth Sense" (1999), later starred in Steven Spielberg’s "A.I." and recently finished filming the sci-fi thriller "I’ll Follow You Down.’’ But like many young Oscar nominees, he’s had a hard time duplicating his early success.

    "When you’re young, it seems like a blur," Osment said. "You don’t realize what a unique situation you’re in."

    The list of young Oscar nominees includes one-hit wonders (Mary Badham of "To Kill a Mockingbird" and Quinn Cummings of "The Goodbye Girl"); actors who who died prematurely (Sal Mineo of "Rebel Without a Cause" and Brandon deWilde of "Shane"); and casualties of drug or alcohol abuse (Jack Wild of "Oliver!" and Linda Blair of "The Exorcist").

    Is there a reluctance to give Oscars to very young actors? Do Academy voters prefer to vote for veterans who may not get another chance for glory?

    "I do think voters are partial to people who have paid their dues, which works against young actors who don’t yet have long histories,’’ Robert Osborne, a host for Turner Classic Movies and author of many books about the Oscars, told TODAY.com. "The demands put on an adult and a child are entirely different, and it’s foolish to try to compare them," he said.

    Jodie Foster and Abigail Breslin are among the exceptions, child actors who continued to have steady, successful careers after losing their first bids for Oscars.

    Foster was 14 when she was nominated for her supporting role as a child prostitute in "Taxi Driver" (1976). Though she lost to Beatrice Straight ("Network"), Foster went on to win best-actress Oscars for "The Accused" (1988) and "The Silence of the Lambs" (1991), and recently received a lifetime achievement award at the Golden Globes.

    Breslin, a best supporting-actress nominee for "Little Miss Sunshine" (2006) at age 10, filmed five movies last year, including an adaptation of the Pulitzer Prize-winning play "August: Osage County." Breslin said her parents made sure celebrity didn’t go to her head.

    "I still had to come home, take out the trash and feed the dogs," she told TODAY.com in an interview from her New York home, where she still lives with her mom and dad.

    So what does the experience of past juvenile nominees mean for Wallis? Would an Oscar victory be a good or bad omen? Would losing actually be better than winning?

    Regardless of what happens at the Oscars on Feb. 24, history indicates that Wallis faces an uphill battle to achieve adult stardom. But as Foster and Paquin prove, it can be done.

    "Winning an Oscar when you’re young is wonderful,’’ Duke said, "but it’s what you do with the rest of your life that really matters.’’

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    Explore related topics: oscars, celebrities, featured, awards-shows, quvenzhane-wallis
  • 19
    Feb
    2013
    10:06am, EST

    Want to win your Oscar pool? Think sympathy, period pieces

    By Cody Delistraty, NBC News contributor

    This year is special. It’s the one in which that you’re finally going to win your Oscar pool. You may not go 24 for 24, but you’ll have history on your side to get you close to that magic number.

     This year, with “Argo” making a late-surge for best picture, a Pixar film ("Brave") that isn’t a shoo-in for best animated film and, as always, a host of difficult categories, the field is open for you to beat that film geek three cubicles over.

    Here are five historically tried-and-true steps to help you through your pool:


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    1. Lean towards dramas and period pieces
    The Academy tends to go for more serious pieces in the big four categories (film, director, actor, actress). The last time a musical or comedy took home the best picture Oscar was “Chicago” in 2002 and before that it was Woody Allen’s “Annie Hall” in 1977. However, for supporting actors and actresses, the Academy likes to have a bit more fun. Remember Penelope Cruz’s supporting role as an off-the-wall ex-wife in 2008’s “Vicky Cristina Barcelona”? We sure do. The Academy loved it too.

    2. Sound is for blockbusters, costumes are for historical dramas
    Figure these out and you can rack up points on the categories where your competitors are just throwing darts and guessing. For sound, think big and popular  In most years, this is where action films shine. On the other side of the coin, best costume is almost invariably given to anything set before 1900. “Marie Antoinette”, “Elizabeth: The Golden Age,” “The Duchess,” “The Young Victoria." have all done well. And that’s just in the last six years. This year, you can bet on “Anna Karenina.”

    3. Pay attention to other races, like the Golden Globes
    These aren’t always direct indicators, but the Globes, Screen Actors Guild awards and others are some of the best Oscar predictors out there. It’s thanks to these races that “Argo” is making an Oscars surge late in the game. Check out this graph that shows how recent awards have put “Argo” in the driver’s seat.

    4. Sympathy is key
    At the 2012 Oscars, two-time winner Meryl Streep had been nominated 12 times without taking home another trophy. So was a nomination for “The Iron Lady” even worth showing up for? Turns out the thirteenth time proved to be the charm, and she took home the statue for the first time since “Sophie’s Choice.” The Academy likes to spread the love –- so it can be advantageous to have not won before or at least in a very long time, especially if you’re in a category with recent winners. Look to apply this knowledge to the actress category again and pick Jennifer Lawrence of “Silver Linings Playbook." Her mature, controlled performance in “Winter’s Bone” was overlooked in 2011 in favor of the flashier Natalie Portman in “Black Swan.” Lawrence is also a full-on star now thanks to her lead role in “The Hunger Games.” The Academy will honor the leaps and bounds she’s made in her career.

     5. Best picture and director are a match made in heaven -- except maybe this year
    In the last 10 years, only two movies have upset this match-up: “The Pianist” in 2002 and “Brokeback Mountain” in 2005. This year, though, is particularly tricky. Ben Affleck didn’t even get a nomination for best director and yet his film, “Argo,” is heating up on the awards circuits. Steven Spielberg's favored to win the director award, which would normally mean "Lincoln" as best picture. But all that "Argo" heat is hard to ignore. Split the vote this year.

    Be sure to check out the predictions from some of the best on the web, including Gold Derby, The Chicago Tribune, IndieWire, and even the votes of three anonymous Academy members over at The LA Times. You can check out my predictions here too.

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    Explore related topics: oscars, academy-awards, movies, featured, awards-shows
  • 11
    Feb
    2013
    2:48pm, EST

    Faith Hill wears clear braces to Grammys

    By Gael Fashingbauer Cooper, TODAY

    Are kids in your life suffering through the adolescent torture of braces on their teeth? Tell them they're not alone. Multiple Grammy Award-winning singer Faith Hill was at the awards show Sunday night with husband Tim McGraw, and she was sporting clear braces on her teeth.

    Hill blamed her need for the orthodontia on childhood bad habits, reports Us Weekly.

    "I had braces as a kid. I forgot to wear my retainer," Hill told Arizona country-music radio station KNIX.

    Tom Cruise and Nicolas Cage are among the other celebrities who've sported braces as adults.

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