A grown-up "Hansel & Gretel" grabbed the weekend box office title, pulling in $19 million in U.S. and Canadian ticket sales with its reinvention of the classic fairy tale characters as fierce bounty hunters.

"Hansel & Gretel: Witch Hunters" knocked last weekend's winner, low-budget horror flick "Mama," into second place. "Mama" earned $12.8 million from Friday through Sunday, according to studio estimates, followed by "Silver Linings Playbook" with $10 million.

CIA drama "Zero Dark Thirty" came in fourth with $9.8 million.

Jeremy Renner and Gemma Arterton star in "Hansel & Gretel" as crossbow-wielding adult siblings who travel the world to take out evil witches. MGM and Viacom Inc's Paramount Pictures produced the action comedy for about $50 million. Paramount had predicted opening weekend sales in the high-teens or low $20 million range.

Don Harris, Paramount's president of distribution, said the film performed well despite the very cold temperatures and snow that hit the eastern United States.

"We are pleased that we were on our number on a worldwide basis. It looks like we are on or exceeding our numbers, but we did get dinged with the weather on Friday," he said in an interview.

"The impact of the weather was certainly more than I had predicted."

"Mama" features Jessica Chastain as a woman forced to take care of two orphaned nieces who have been living in the woods. The $15 million production has now earned $48.6 million at U.S. and Canadian theaters through two weekends.

Chastain also stars in "Zero Dark Thirty" in an Oscar-nominated role as a dogged CIA agent searching for al Qaeda leader Osama bin Laden. The best picture nominee, which has sparked debate over depictions of torture, has grossed $69.9 million since its release in late December.

"Silver Linings Playbook," another Oscar contender, stars Bradley Cooper as a former mental patient trying to rebuild his life with the help of a young widow played by Jennifer Lawrence. Total sales for "Silver Linings" reached $69.46 million.

New crime thriller "Parker" finished in fifth place, taking in $7 million at domestic theaters. The film is based on a series of novels by Donald E. Westlake and stars Jason Statham as a thief seeking revenge against a crew that double-crossed him. Jennifer Lopez plays a woman who helps with his mission.

"Movie 43," a raunchy new comedy with an ensemble of Hollywood directors and stars, settled for seventh place. The film is a series of related short films about three kids scouring the Internet to find the world's most-banned movie. Stars making appearances include Huge Jackman, Seth MacFarlane, Kate Winslet and Dennis Quaid. Privately held Relativity Media produced the film for about $6 million.

"Mama" was distributed by Universal Studios, a division of Comcast Corp. Sony Corp's movie studio released "Zero Dark Thirty." "Parker" was released by independent studio FilmDistrict. The Weinstein Co distributed "Silver Linings Playbook."

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Paramount Pictures, MGM

Gemma Arterton and Jeremy Renner in "Hansel & Gretel: Witch Hunters."

REVIEW: Grimm’s fairy tales have captivated TV viewers lately, and an equally large audience will probably lap up the campy 3-D extravaganza, "Hansel & Gretel: Witch Hunters,"  when it opens in theaters this weekend. The picture was shot two years ago, but Paramount may have found the right moment to release the picture, in the dog days of January, when competition is thin. Young fanboys will sneak into the movie despite the R rating, but there isn’t much here to entice anyone with a bit of maturity. Oscar nominee Jeremy Renner seems out of place in this tacky pastiche, but hopefully the fat paycheck he received will allow him to return to artier fare very soon.

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When you see the names of Will Ferrell and Adam McKay among the film’s producers, you know that the picture was never intended to be taken seriously. Lots of anachronisms and tongue-in-cheek dialogue establish the spoofy nature of this violent venture. All that’s missing is a genuine sense of wit.

The film begins by referring to the original fairy tale, when a young Hansel and Gretel are abandoned in the forest and venture into a witch’s cottage built of delicious candy. (There’s a good later joke when the adult Hansel takes a medieval version of an insulin injection to help him counteract that sugar addiction.) Then the movie jumps forward a couple of decades to find the grown-up Hansel and Gretel turning their childhood trauma into a vocation. The time period is a bit indistinct. Some of the production details evoke the Middle Ages, yet our heroes have an arsenal of somewhat more modern weaponry to help them annihilate witches and warlocks.

As they stalk their prey, brother and sister find allies -- a “white witch” for Hansel and a troll who takes a fancy to Gretel -- but basically they have to rely on their own grit to triumph over their enemies. Their chief antagonist is a cunning vixen who morphs from glamorous to hideous when the mood strikes. This must be the year for screen beauties to indulge their ugly side. Famke Janssen follows Julia Roberts and Charlize Theron in releasing her hidden monster.

STORY: Box office preview: "Hansel and Gretel" set to slay star-studded "Movie 43," "Parker"

Despite its few wry jokes, the script is awfully thin. Norwegian writer-director Tommy Wirkola ("Dead Snow") loves to film crushed and exploding heads, but the film is too fanciful to be truly revolting. Wirkola makes the most of the 3-D technology; there haven’t been as many deadly weapons flying at the audience since the era of "It Came From Outer Space."

Unfortunately, the director doesn’t bring much out of the actors. Renner and British actress Gemma Arterton are certainly game, but this foolish vehicle doesn’t give them a chance to show what they do best. With a running time of under 90 minutes, the film is smart enough not to wear out its welcome. But that’s the only sign of true intelligence in this juvenile caper.

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