After receiving a rare F CinemaScore from moviegoers, Brad Pitt's independent crime drama "Killing Them Softly" opened nationwide to a soft $7 million, coming in No. 7.

Directed by Andrew Dominik, the violent crime drama becomes only the eighth movie ever to receive the failing grade. George Clooney's "Solaris" and "Killing Them Softly" are the only non-horror titles among the bunch.

Pitt's Plan B production company produced the $15 million "Killing Them Softly," based on George V. Higgins' 1974 book "Cogan's Trade," with Inferno Entertainment and Megan Ellison's Annapurna Pictures, which put up some of the financing. The Weinstein Co. is distributing domestically.

Photos from THR: Outtakes from Brad Pitt's cover shoot

The movie stars Pitt as professional enforcer Jackie Cogan, who is charged with investigating a robbery at a mob-protected poker game. It also stars Ray Liotta, James Gandolfini and Sam Shepard.

The weekend after Thanksgiving is generally dominated by holdovers, and this year was no exception as "Twilight: Breaking Dawn -- Part 2," "Skyfall" and Steven Spielberg's "Lincoln" continued to top the box office.

Summit Entertainment's "Breaking Dawn 2" jumped the $700 million mark globally over the weekend, grossing $17.4 million domestically for a total $254.6 million and $48.4 million internationally for a total $447.8 million. The worldwide cume is now $702.4 million.

MGM and Sony's "Skyfall" grossed $17 million in its fourth weekend for a North American cume of $246 million and worldwide total in the $850 million range.

Photos from THR: The making of 'Skyfall': Bond is back, better than ever

"Lincoln," from DreamWorks and Disney, grossed $13.5 million for a domestic total of $48.9 million. The historical drama, starring Daniel Day Lewis as the storied president, continues to be a hit with adults.

DreamWorks Animation and Paramount's 3D toon "Rise of the Guardians" came in No. 4, falling 43 percent in its second weekend to $13.5 million for a domestic total of $48.9 million. The holiday-themed pic got off to a disappointing start over Thanksgiving, but DWA and Paramount are hopeful it will play throughout Christmas, saying it is pacing in step with "The Polar Express."

Overseas, "Rise of the Guardians" grossed $40 million in 46 territories, placing No. 1 in 20 of those markets. The toon has now grossed $57 million internationally for a worldwide total of $105.9 million.

Ang Lee's Thanksgiving entry "Life of Pi" came in No. 5, falling 47 percent in its second weekend to $12 million for a domestic total of $48.4 million.

The weekend's only other new release was horror sequel "The Collection," which opened to a disappointing $3.8 million.

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Melinda Sue Gordon / The Weinstein Company

Brad Pitt in "Killing Them Softly."

REVIEW: A juicy, bloody, grimy and profane crime drama that amply satisfies as a deep-dish genre piece, "Killing Them Softly" rather insistently also wants to be something more.

Writer-director Andrew Dominik, whose extraordinary Western "The Assassination of Jesse James by the Coward Robert Ford" proved too long and arty for the masses, repositions George V. Higgins’ 1974 Boston mob-world novel as a metaphor for the ills of American capitalism circa 2008, a neatly provocative tactic. But he also shamelessly shows off his directorial acumen; unlike the leading character, who’s all business, Dominik makes sure you notice all his moves. Tight, absorbing and entertainingly performed by a virtually all-male cast topped by Brad Pitt, this Weinstein Co. release should generate solid mid-level business this fall.

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A lawyer, professor and assistant U.S. Attorney who long investigated organized crime in addition to writing 27 novels, Higgins knew well of what he wrote. His first novel, "The Friends of Eddie Coyle," was made into a fine film and his third, "Cogan’s Trade,"  the basis of this one, consists of torrents of exceptionally vivid Beantown wiseguy dialogue with bits of plot tucked almost incidentally into the chatter.

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Moving the action to decimated post-Katrina New Orleans without a tourist in sight, Dominik has done a keen, disciplined job of coaxing the plot out of the shadows while retaining the flavor of underclass lingo and attitude. With the background dominated by then-presidential candidate Barack Obama’s optimistic speeches stressing the availability of “the American promise” to all, some bottom-feeding criminals plot what looks like a no-risk scheme: Old-timer Johnny Amato (Vincent Curatola, the great Johnny Sack of "The Sopranos") hires unwashed kids Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) to raid the regular card night run by Markie Trattman (Ray Liotta), who once robbed his own game and got away with it.

PHOTOS: Outtakes from Brad Pitt's THR cover shoot

While allowing these low-enders to emerge in all their miserable glory, Dominik also adds his own flourishes right from the outset, from striking lateral camera moves to amusingly supplying one of the young hoods with a pathetic little dog. Despite their general ineptitude, the boys pull off the job, but this is bad news for Markie, as it’s going to be assumed he’s run the same scam a second time.

At least this is what is suspected by the unnamed and unseen corporate mob, which has cog-in-the-system “Driver” (Richard Jenkins) engage shrewd hit man Jackie Cogan (Pitt) to deal with this disruption of business as usual. Needlessly, Markie gets horribly beat up, Cogan brings in another hired killer, Mickey (James Gandolfini) to help him with a double-killing, and plenty more blood gets spilled before order is, after a fashion, restored.

Although the plot bases are dutifully, if briefly, covered, this is a crime story like so many others in which it doesn’t really matter if you can follow who everyone is and why awful things are happening to them; it’s basically a given that everyone on view is guilty of something, so you can’t feel too badly when they come to grisly ends.

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What matter more are style and attitude, which Dominik ladles on like sauce on ribs. Russell’s drug-addled disorientation is represented by multiple distortions of time, visual perception and sound; the pursuit of one victim is imaginatively covered entirely from the outside of the building in which the chase is consummated; Cogan arrives on the scene to the accompaniment of Johnny Cash’s “The Man Comes Around”; the just-scraping-by 21st century hoods drive late-‘60s/early-‘70s cars like a Riviera and Toronado; and one man’s execution is rendered from many angles in a slow-motion explosion of breaking glass and penetrating bullets so elaborate and prolonged that it resembles a self-standing art installation.

In a related way, some of the dialogue scenes, especially a couple of near-monologues superbly delivered by Gandolfini as a booze-guzzling, sex-obsessed, past-his-prime hit man, almost have the feel of brilliant, free-standing acting class scenes; they serve the film’s purposes, to be sure, but there’s a self-consciously showy aspect to them that makes you easily imagine students using them as audition pieces.

The film is terribly smart in every respect, with ne’er-a-false note performances and superb craft work from top to bottom, but it never lets you forget it, from Pitt’s pithy excoriation of Thomas Jefferson’s hypocrisy right down to his “Crime is the business of America” final line that is bound to be widely quoted. 

The film noir crime dramas of the late 1940s and early 1950s were about a palpable unease in the country, but this remained a subtext rather than the overt subject of the films. Here, Dominik explicitly articulates his intended meanings, which have to do with money, institutional rot and what happens when you don’t keep your economic house in order. Either approach is valid but, perhaps in this day and age, audiences need their messages to be quick and direct. "Killing Them Softly" delivers them that way.

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ABC

The "Dancing With the Stars" all-star finalists will face off on Monday and Tuesday.

Ease back into the swing of things after the holiday week with a lively "Dancing With the Stars" finale. Here are our picks for the three best entertainment events of the week.

MONDAY AND TUESDAY: 'Dancing With the Stars' finale
It's ladies' night at "Dancing With the Stars" this week, with three women vying for the ugliest trophy in American history, the "Dancing" mirror ball. (There's even a rumor that the all-star trophy could be different -- we vote for "even uglier, please!") Gymnast Shawn Johnson, "Bachelorette" Melissa Rycroft, and soap star Kelly Monaco will duke it out in the two-night finale. They may have made it this far, but it's not going to be an easy coast to the championship. Each of the three reportedly will perform four dances before the winner is announced, and for one of the dances, they are told their musical choice less than an hour before they must perform to it. (Nov. 26-27, 8 p.m., ABC.)

Slideshow: Worst outfits of 'DWTS: All-Stars'

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TUESDAY: 'Men in Black 3' on DVD and Blu-ray
Those "Men in Black" returned earlier this year. Will Smith returned to his role as Agent J, but partner Tommy Lee Jones only played Agent K for a short time before being replaced by Josh Brolin as an unnervingly excellent younger version of K. Agent J must struggle with the younger version of his partner, battle a creepy time-jumping villain (Jemaine Clement), and learn about his own past in the process. The film's a fun romp, Brolin is a dead-on young Tommy Lee Jones, and the whole shebang was so well-received that another sequel is now planned. But before that one rolls out, you can now check out "Men in Black 3" on home video. (Nov. 30.) 

FRIDAY: 'Killing Them Softly'
Robbing a high-stakes, mob-protected poker game is perhaps not the smartest thing to do if you want to live long. When two doofuses pull it off, Brad Pitt and James Gandolfini step in, and things get bloody. Says Todd McCarthy of The Hollywood Reporter, "A juicy, bloody, grimy and profane crime drama that amply satisfies as a deep-dish genre piece, 'Killing Them Softly' rather insistently also wants to be something more." (Opens Nov. 30)

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