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  • 10
    May
    2013
    9:24am, EDT

    Inflatable zebras and hip-hop: 'Great Gatsby' movie isn't quite by the book, old sport

    By Gael Fashingbauer Cooper, NBC News

    Most adults have probably read F. Scott Fitzgerald's "The Great Gatsby," whether for pleasure or for sophomore English class. It's just a slim novella, but it's been adapted into movies, referenced on television shows, turned into an opera, inspired songs, been re-imagined by other authors, and even become an opera and two computer games.

    Warner Bros

    Jay Gatsby drives a 1929 Dusenberg in the movie, which is set in 1922. Some fans of the book argue that he should only be in a Rolls-Royce.

    But the new movie version, starring Leonardo DiCaprio as Gatsby and Carey Mulligan as his longtime love Daisy, is perhaps the most expensive and ambitious iteration yet. It cost $127 million to make, is nearly two and a half hours long, and for some reason, is offered in 3-D.

    If you're seeing the movie and are wondering how it compares it to the book, here's a cheat sheet.

    You'll recognize some quotes, not others
    The exact words Fitzgerald wrote are vitally important to many fans. Microsoft founder Bill Gates reportedly has one of its famed last lines -- "He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it" -- painted on the library ceiling in his gigantic Seattle-area home. Such folks will be happy to know that in several critical places, including the all-important ending, the script sticks exactly to Fitzgerald's words. Daisy's poignant outburst about how the best thing in the world a girl can be is "a beautiful little fool" made the cut. Nick's speech about being one of the few who was actually invited to Gatsby's parties is pretty close. And the book's very first sentence, where Nick muses on advice his father gave him, is uttered word-for-word -- but then the script veers off and does its own thing.


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    Fitzgerald's plot gets a weird framing device
    Messing with Fitzgerald's plot would have been a literary scandal, so the main Gatsby-Daisy-Tom triangle, the extravagant parties, the car accident and more all remain. But purists will cringe at the movie's framing device, where narrator Nick Carraway (Tobey Maguire) tells the story of Gatsby from a sanitarium where he's being treated for alcoholism and anxiety. At the film's end, he's seen finishing typing up the story with "GATSBY" as its title, then slashing the words "THE GREAT" over it in pen. Fitzgerald himself was reportedly ambivalent about the title, and tried out many versions, from "Trimalchio in West Egg" to "The High-Bouncing Lover."

    Warner Bros

    The "Great Gatsby" movie invents scenes where Nick Carraway (Tobey Maguire) is writing the story while in a sanitarium.

    Did the 1920s have hip-hop and inflatable zebras?
    "Gatsby" is set in 1922, amidst the roar of jazz and flapper culture. If you're interested in history, you can have fun picking out the objects that simply shouldn't exist in that era.

    In the book, an air mattress is famously present in a key scene, although Fitzgerald called it a "pneumatic mattress." Weirdly, the mattress is absent from that vital scene entirely. But it does appear in an earlier pool scene, along with ... inflatable zebras? Director Baz Luhrmann defended the stripey critters to the New York Times, saying period photographs show them. Perhaps, but Fitzgerald's book does not.

    Warner Bros.

    Gatsby's parties were legendary in the novel, but they did not include inflatable zebras.

    Luhrmann also defended "Gatsby's" Jay-Z led soundtrack, saying that what jazz was to Fitzgerald's era, hip-hop is to modern times. "Why would Fitzgerald put such ephemeral stuff, actual song lyrics, in his book?" Luhrmann asked the paper. "Because it made it immediate and visceral and exciting for the reader. And when you think of an African-American street music today that is visceral and exciting and is making a big impression on popular culture, that’s hip-hop." Jay-Z's lyrics do reference the time period in some parts -- "no Prohibition for my coalition" runs one line.

    Don't get your historian friends or car junkies started on the "Gatsby" cars. The movie shows DiCaprio's Gatsby driving a 1929 Dusenberg (a replica, made in the 1980s). The book clearly states Gatsby has a Rolls-Royce -- true, but it's also mentioned that he has more than one car -- so he could have owned a Dusenberg as well. But with the movie set in 1922, it wouldn't have been a 1929 model. Blogger Jerry Garrett, though, makes a convincing argument that a Dusenberg would not have impressed Daisy in the way a Rolls would have, and that impressing Daisy was what Gatsby lived for, so a Dusenberg is unlikely. (And the car chase it gets into -- with a 1930 Buick -- needless to say that wasn't in the book either.)

    Slideshow: From the page to the screen

    Warner Bros.

    Launch slideshow

    Why the 3-D?
    "The Great Gatsby" seems like the most unlikely movie ever to get the 3-D treatment. This is not a superhero film, where Captain America's shield flies out at the audience, or a kids' movie, where viewers are easily enchanted by floating bubbles. Luhrmann told the Times that he felt the medium made the film more exciting and that he felt Fitzgerald would have approved. That led to the following hilarious tweet from former "Mystery Science Theater 3000" star Frank Coniff: "Baz Luhrmann says Fitzgerald would have wanted a 3-D Gatsby with rap music. Agreed -- he was an alcoholic with poor judgement."

    Well then, old sport
    If you need an engaging exercise while watching the new film, old sport, count how many times Gatsby says "old sport" to someone. We lost track around 20, old sport, but maybe you can keep up. But go back to the book, old sport -- Fitzgerald's Gatsby does use that nickname frequently, old sport, perhaps the affectation of a North Dakota boy who briefly spent time at Oxford and thinks it the height of sophistication. So on this point, old sport, we're giving the film a pass.

     

     

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  • 27
    Dec
    2012
    9:20am, EST

    Leonardo DiCaprio: 'Django' character is 'deplorable human being'

    By Gael Fashingbauer Cooper, TODAY

    He famously played doomed sweetheart Jack Dawson in 1997's "Titanic," but all trace of that charm and kindness is gone in Leonardo DiCaprio's current role, as cruel slaveowner Calvin Candie in Quentin Tarantino's "Django Unchained."

    "He's the most deplorable human being I've ever read in a screenplay in my life," DiCaprio told Willie Geist on TODAY Thursday. "He was rotting from the inside. He was, you know, a young Louis the XIV that had been brought into a world of entitlement and lived his life ... essentially owning other people."

    DiCaprio has said that he was uncomfortable using the N-word in the film, and told Geist that his co-stars encouraged him to do what was right for the role despite his own feelings. "It was Sam Jackson and Jamie Foxx that said, 'You really have to go all the way with this man.'"


    Follow @ TODAY_ent

    Even filmmaker Tarantino, who created Candie's character, said the plantation owner, who forces slaves to fight to the death, was the first villain he'd written who he didn't like. Still, DiCaprio says he had to take the role.

    "It was an incredibly colorful character and I just had to ... I had to play him," DiCaprio told Geist.

    But he really got into the role; at one point, when Candie is making his point by pounding his hand on a table, DiCaprio actually broke a wine glass and impaled himself on the stem. But he considered going on with the scene: "The choice was I supposed to go on and finish my speech or not, and then I noticed that blood was pouring everywhere," he said. "It was very interesting to see Quentin's and Jamie's reaction off screen."

    The film marks the first collaboration for DiCaprio and Tarantino, and the actor had praise for the "Pulp Fiction" filmmaker. "It really takes a director like Quentin Tarantino to say, 'Look, this is ... the time period that I want to do a film about and I want to go to these extremes,'" DiCaprio said. "'And it's also going to be an incredibly entertaining movie.'"

    DiCaprio also mused on his sudden fame after his "Titanic" role, joking that he should have taken advantage of his fame then to make more movies, but noting that the success of the film gave him leverage in his career. Still, he says, he doesn't recognize the young man proclaiming himself "king of the world!" on the doomed ship.

    "When you see yourself at that age, and I look at some of my earlier films, it's ... you see a different person," he told Geist. "I don't know what would it be like to have a conversation with that young man."

    Slideshow: Life and times of Leo

    Carl De Souza / AFP - Getty Images

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    Related content:
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    • Spike Lee: 'Slavery was not a Spaghetti Western'
    • Review: Blood-soaked 'Django' isn't for everyone
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  • 17
    Dec
    2012
    4:58pm, EST

    'Django Unchained' stars rolled up 'N-word shield' during filming

    By Access Hollywood

    Quentin Tarantino’s latest movie, “Django Unchained,” about a slave-turned-bounty hunter, doesn’t shy away from violence and language, including 110 uses of the N-word –- something the cast had to come to grips with while filming. 

    “These characters use the N-word because that’s what people said back then, and again if you don’t understand how ugly the time is, you don’t understand how bad--- [Django] is to get through this time,” Kerry Washington told Access Hollywood’s Michelle Beadle, referencing Jamie Foxx’s Django character.

    VIEW THE PHOTOS: Top 10 Movies Of 2012 (MovieMantz)


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    “There were days when hearing that N-word over and over again would start to get a little uncomfortable and Jaime and I had these imaginary shields… we’d roll up our n-word shield,” she explained.

    Leonardo DiCaprio, who plays plantation owner Calvin Candie, uses the word most often, but had trouble going there, according to his co-stars.

    VIEW THE PHOTOS: Hollywood’s Favorite Leading Ladies: Then & Now

    “I think that what Quentin wanted to do was really let you know how it really was [during this time] and you’re not supposed to feel good about it,” Foxx said.

    Foxx said co-star Samuel L. Jackson helped motivate DiCaprio to immerse himself in the character and his language.

    “When Leo goes, ‘Buddy, I’m having a tough time with these words’ and then… Samuel Jackson [told him] ‘It’s just another Tuesday for us, get over that.’ And I told Leo, if you don’t go there then we don’t have a story. So the next day he walked [and] he didn’t even speak to me,” the actor recalled.

    VIEW THE PHOTOS: Jamie Foxx

    Foxx added, “We knew we had to go to a bad place and when I talked to black people about the film and they say they were bothered by the N-word, I said, ‘It’s supposed to, it’s supposed to bother you. Those horrific things that happened to us, is supposed to bother you.’” 

    Despite the film’s intensity, Washington stressed the film isn’t just a painful look at a horrific time in our history.

    VIEW THE PHOTOS: Holiday Movie Preview 2012

    “This film is the full ride… you will absolutely laugh, you will cry, you will be afraid, you will fall in love. You get the whole shebang,” she told Access.

    “Django Unchained” opens in theaters on Dec. 25.

    Related content:

    • 'Django Unchained' among Golden Globe nominees
    • 'Django,' 'Hitchcock' release irresistible trailers
    • Jackson drops F-bomb on 'SNL'
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  • 3
    Oct
    2012
    10:05am, EDT

    Leonardo DiCaprio and other celebs urge young voters to 'Vote 4 Stuff' in new video

    By Randee Dawn, TODAY contributor

    Don't know who, or what to vote for in this election season? No problem -- as always, celebrities have the answer, and in this new video going viral, they spell it out for you: Vote for stuff.

    Watch on YouTube

    "I would not have red and blue states. I would have fuschia and seafoam," opined Ellen DeGeneres. "Prettier."

    "I vote to have three-day weekends. Well, four," said Benicio del Toro, in Spanish. 

    "End dubstep. Now," said Joseph Gordon-Levitt.

    Those are just just three of the famous faces who pop up in the spare video talking about "stuff" they care about, but underlying the goofy nature of that beginning is a serious effort that encourages young people to use social media to bring awareness to the causes they care about. 

    Vote4Stuff is a non-partisan campaign created by Leonardo DiCaprio and Tobey Maguire. DiCaprio told the Associated Press that with videos like this "we are using the power of social media ... to incite bipartisan conversation around real issues, encourage registration and voting in November."


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    At the end of the video, viewers are encouraged to make a 30-second-or-less video in which they talk about what's important to them, and post it up on Facebook.com/Vote4Stuff. Selected tweets, pictures and videos will be featured in another campaign later in October. 

    So, after watching this stuff, go make stuff and then go vote ... on stuff.

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  • 30
    Aug
    2012
    8:39am, EDT

    Documentary producer Brian Gerber dead in apparent suicide

    Getty Images file

    Brian Gerber in 2007.

    By Daniel Miller, The Hollywood Reporter

    Documentary film producer Brian Gerber has died in what investigators consider a "possible suicide," the Los Angeles County Coroner's Office confirmed to The Hollywood Reporter on Wednesday afternoon. 

    Investigators think Gerber, producer of environmental documentary "The 11th Hour," drove his vehicle off the Angeles National Highway and into a ravine in the Angeles National Forest, according to a report in L.A. Weekly. The Weekly also said Gerber, 41, left a suicide note at mile marker 32 of the highway in the San Gabriel Mountains north of Los Angeles.

    PHOTOS: Hollywood's Notable Deaths of 2012

    According to Ed Winter, assistant chief of the coroner's office, Gerber's crashed silver Prius was discovered by the Los Angeles County Sheriff's Department and he was pronounced dead at 7:35 a.m. L.A. Weekly reported that authorities began searching the area after hearing from family members that he was distraught and considering driving his car off a cliff.

    Watch on YouTube

    A sheriff's department spokesman issued a brief statement to THR that did not name Gerber but said detectives found the body of an adult male near the crashed vehicle, and pronounced him dead at the scene.  

    Winter said that an autopsy "will probably be done in the next two days," adding that Gerber's death was reported to the coroner's office at 8:33 a.m.

    A message posted midday Wednesday on Gerber's Facebook page acknowledges his death, saying: "Our worst fears regarding Brian Gerber have been confirmed. Brian’s family thanks you for all the condolences, good thoughts, prayers and asks for your patience and understanding during this most difficult of times. Obviously they are overwhelmed with this situation and are asking for privacy. We will be in touch as soon as arrangements have been made for services."

    STORY: DiCaprio's global warning: "11th Hour" a ticking clock


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    "The 11th Hour" was narrated and co-produced by Leonardo DiCaprio and released in 2007. Gerber's other documentary producing credits include "The Dungeon Masters" and "Project Kashmir." He also co-founded and helped stage Digital Hollywood's bi-annual Los Angeles summits.

    Gerber is survived by his wife, actress Arabella Field, and their two young sons. Gerber's apparent suicide could be the second such death of a Hollywood personality in recent weeks -- "Top Gun" director Tony Scott killed himself Aug. 19 when he jumped off the Vincent Thomas Bridge in San Pedro.

    Related content:

    • Tony Scott cremated; wife will keep ashes
    • 'Top Gun' director Tony Scott laid to rest

    More Entertainment news:

    • Check out Kate Hudson's 3 looks in Venice
    • Gaunt Matthew McConaughey dropping 30 pounds for film
    • Dark Knight is secretly Cookie Monster?
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  • 3
    Jul
    2012
    3:43pm, EDT

    Tom Cruise earned $75 million to top list of highest paid actors

    By Christine Kearney, Reuters

    NEW YORK -- Tom Cruise led Forbes' annual list of the 100 highest paid actors released on Tuesday, earning nearly twice that of second place Leonardo DiCaprio and recapturing his spot among Hollywood's top-earning performers after his recent blockbuster movie "Mission: Impossible."

    Slideshow:

    Frazer Harrison / Getty Images

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    Cruise, who turned 50 years old on Tuesday amid speculation over whether his box office pull could be hurt by his impending divorce from Katie Holmes, which was revealed late last week, earned $75 million between May 2011 and May 2012, Forbes said.

    The star is coming under close scrutiny after Holmes filed for divorce and sought sole custody of their young daughter, Suri. Some have questioned his affiliation with the Church of Scientology, including media mogul Rupert Murdoch, who likened its practices to a cult.

    Forbes said Cruise in particular had enjoyed a successful year after "Mission Impossible -- Ghost Protocol," released last December, earned more than $700 million at global box offices.

    His career resurgence followed negative publicity several years ago due to a couch-jumping episode on Oprah Winfrey's talk show and some rambling thoughts on Scientology in media interviews and in a YouTube video.

    Last year's top earner DiCaprio, 37, tied for second place on the list with funnyman Adam Sandler, 45, both with $37 million.


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    DiCaprio's earnings dropped after his 2010 "Inception," grossed $825 million at the global box office while his last film, "J. Edgar" disappointed at the box office. Sandler's income included his paycheck from 2011 film "Jack and Jill."

    Former professional wrestler Dwayne "The Rock" Johnson, 40, came in fourth, earning $36 million including from his film "Fast Five" that took in $626 million worldwide, and at No. 5 was comedian Ben Stiller with $33 million, whose next film "The Watch" about a group of Neighborhood Watch dads, is due for release in July.

    In compiling the list, Forbes considers factors including upfront pay, profit participation, residuals, endorsements and advertising work.

    Related content:

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  • 18
    Apr
    2012
    11:10am, EDT

    Did Rose kill Jack by not sharing raft in 'Titanic'?


    Follow @ msnbc_ent

    20th Century Fox

    Leonardo DiCaprio and Kate Winslet in "Titanic"

    By Randee Dawn, TODAY contributor

    Their hearts went on. But would life have been different if Jack Dawson (Leonardo DiCaprio) had just gotten on the raft with Rose DeWitt (Kate Winslet) at the end of 1997's "Titanic"?

    Some folks with extra time on their handsInternet scholars over at Reddit have been doing the calculations, and while photographic experimental evidence appears to say yes, physics calculations say no way.

    For those with fuzzy memories: At the end of "Titanic," the ship goes down (spoiler!), Rose and Jack end up in the water, and she takes refuge on a pine plank from the ship's Grand Staircase. Jack dangles from the side and they both pass out. When Rose wakes, Jack has frozen to death, half-in and half-out of the water. She is rescued and goes on to live a long, long time.

    But couldn't they both have fit on that big plank?

    Fans say yes, and offer up photos of a taped-off section of floor representing the raft, which makes it clear that two grown adults could have fit in the physical space of the plank.


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    But as Reddit poster Khromatic noted (along with mathematical/physics calculations), they'd both have sunk. He/she wrote: "As force of gravity is larger than that of buoyancy, Leo and Kate will be swimming with the fishes."

    The fate of Rose and Jack has has been well-discussed on the web. Even if there wasn't room on the plank, did an earlier decision by Rose doom Jack? 

    Askville over on Amazon.com dealt with this one a few years ago, when submitter Layyla said her son had a theory about the film: "If Rose had stayed on the lifeboat she would have been safe and Jack would then have been able to worry only about himself. Jack is a survivor and he would have made it."

    Would he? Nobody knows, but those who read the post decided this explanation from 67alecto was best: "I still see him going down with the ship as opposed to getting on a lifeboat -- he still would have let (women) and children go first. But, having gone down and not needing to worry about Rose, I think he’d have had a greater chance of surviving. He (put) her above himself, both literally and figuratively, as she floated out of the freezing water.... I’d give him 75% odds of surviving had he been just looking out for himself."

    But it would have made for a very different movie.

    What do you think are the big unanswered questions about "Titanic"? Share your thoughts on our Facebook page.

    Related content:

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    • Light show projects image of Titanic onto iceberg

     

     

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  • 21
    Nov
    2011
    9:44am, EST

    Why is 'Great Gatsby' being made in 3-D?

    Andy Athineos / INFphoto.com

    Leonardo DiCaprio, Tobey Maguire, Carey Mulligan film "The Great Gatsby" in Australia. The film is being shot in 3-D.

    By Gael Fashingbauer Cooper, NBC News

    Some movies seem like naturals for 3-D. My daughter loved pretending to pop the bubbles that floated out into the audience at the end of "Happy Feet Two." "Despicable Me" used a very cute gag where one of Mr. Gru's minions tries numerous times to reach and walk out into the audience. I'm not bothered by James Cameron reissuing "Titanic" in the extra dimension, because he did it so well in "Avatar" and well, it's "Titanic." It's not really crushing anyone's literary dreams to see pieces of the iceberg fly at the audience.

    But "The Great Gatsby," the favorite book of many an English major? Why 3-D for F. Scott Fitzgerald's classic? I'm imagining that famous, sonorous quote about how "Gatsby believed in the green light" rolling out while the green light jumps, 3-D style, into viewers' laps.

    DiCaprio told Access Hollywood that the 3-D isn't being used for jumping objects and scare effects, but instead to make the movie more of a complete experience. He told Access: "Most of the time, you associate 3-D with the spectacle of it, but [director Baz Luhrmann] really wants to use 3-D to create emotional impact with the characters and almost use it like what it would be like to immerse yourself in a theater production.”

    DiCaprio plays Jay Gatsby, with Tobey Maguire as the novel's narrator, Nick Carraway, and Carey Mulligan as the love of Gatsby's life, Daisy Buchanan. In photos taken on the set, DiCaprio and Maguire look right for the parts and the period. But Mulligan's Daisy, like Mia Farrow in the 1974 film, is a blonde. Although there's some argument about how different quotes in the book can be interpreted, Daisy's hair is described as "dark" and "like a dash of blue paint," which would seem to lean towards the brunette side of things.

    It might not seem like a big deal, but fans of "The Great Gatsby" don't take kindly to having their source messed with. And if the hair color of a major character is an issue, I can only imagine they won't react well to the 3-D angle.

    Should "The Great Gatsby" be in 3-D? And do you think small things, like character hair color, should stick to the novel, or are you comfortable with filmmakers taking liberties with the original story? Tell us in the comments.

    Related content:

    • 3-D 'Titanic' sails towards theaters
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    • Bookmark our new Entertainment blog

    64 comments

    My dream of Precious being re-released in 3-D is coming closer and closer.

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  • 9
    Nov
    2011
    9:41am, EST

    DiCaprio's baby face is an asset

    ABC, 20th Century Fox, Paramount

    Leonardo DiCaprio moved from "Growing Pains" through more adult movie roles but never lost his youthful appearance.

    By Gael Fashingbauer Cooper, NBC News

    It's hard to look at Leonardo DiCaprio, even under the heavy makeup that takes him well into J. Edgar Hoover's 70s in "J. Edgar," and not see the little kid he was.

    He's our most babyfaced actor, not just because he still looks boyish, but in past because he grew up onscreen. If you don't remember him as a  regular on "Growing Pains," you may know him from "This Boy's Life" or "What's Eating Gilbert Grape?" He's the same age as Kate Winslet, his "Titanic" co-star, but you'd be forgiven for thinking she was robbing the cradle in that movie. His Jack Dawson just seemed like a spirited boy rather than a young man.

    But I'd argue that his youthfulness is only an asset. Yeah, sure, everyone wants to be young in Hollywood, hence all the plastic surgery and shooting botulism into stars' eyebrows. But DiCaprio isn't playing Kim Kardashian here, he's playing a U.S. Marshal ("Shutter Island"), Howard Hughes ("The Aviator") and J. Edgar Hoover. He's playing men with gravitas, guys who you have to be a little afraid of. You'd think his babyfaced appearance might be a detriment in those roles.

    But as I watched "J. Edgar" Monday night, I found the opposite to be true. Sure he gets slathered in old-guy makeup, his hands all liver-spotted up, but you can't hide his essential look. Not only does he appear physically young, but he looks likable.

    Some actors just have that look and never lose it. It's especially beneficial for comedians -- think Will Ferrell, Steve Carell and Jim Carrey. But DiCaprio makes it work in dramas too. It's not that you'd blindly like his characters because the portrayer appears young, but it allows him to carry an innocence and an uncertainty into his roles. Even his tough-guy characters feel human, like they could fail at any moment.

    What's DiCaprio's best role? Tell us in the comments.

    Update: Funny or Die has a hilarious video spoofing  "J. Edgar" and making it all about DiCaprio's failed quest for an Oscar.

    Related content:

    • Slideshow: DiCaprio's come long way from 'Growing Pains'
    • Review: 'J. Edgar' is fascinating, frustrating
    • Video: Will DiCaprio direct in the future?

    17 comments

    Never have liked him and I don't think he is handsome either.

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Gael Fashingbauer Cooper, NBC News

Gael Cooper is the movies editor for TODAY.com and a pop-culture junkie. She is the co-author of "Whatever Happened to Pudding Pops?" and "The Totally Sweet '90s."

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Randee Dawn, TODAY contributor

Randee Dawn is a frequent TODAY and NBC News contributor. She is the co-author of "The 'Law & Order: SVU' Unofficial Companion."

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