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  • 1
    Mar
    2013
    9:18am, EST

    'Skyfall' critics highlight 62 movie errors in fun viral video

    By Cody Delistraty, NBC News.com contributor

    Even Roger Moore, a former James Bond himself, has called “Skyfall,” the best  Bond film ever made. The 2012 movie based on Ian Fleming’s debonair spy racked up five Oscar nominations and won two -- for best original song and best sound editing.

    Yet like all films, it has a few flaws. The fellows over at Cinema Sins have been poking holes in big-time movies like “The Hunger Games,” “Avatar,” “The Dark Knight Rises,” and now take on “Skyfall" in a fun viral video.

    Watch on YouTube

    The video is breezy, clocking in around 4 minutes, but the lighthearted mockery moves a mile a second.

    The video pokes fun at the film's insistence that Bond could be shot off of a moving train, fall limply into the water below and somehow survive with minimal injuries. It also zeroes in on huh-I-didn't-notice-that-questions. When Bond is fighting for his life on top of that speeding train, the video asks, “Why is there a random broken piece of chain just sitting atop this rapidly moving train car?” Um, it was in the script?

    Francois Duhamel / AP

    Oh, Mister Bond: Did you really survive that fall?

    Some of the critiques are absolutely hilarious, asking viewers to think about the unbelievably in-depth evil plan of villain Silva (Javier Bardem). “After the Joker and Loki this is the third stupidest get-yourself-captured-and-then-escape-with-no-real-other-objective plan I’ve ever heard of in my life," cracks the video's narrator.

    Do you like to find goofs and ridiculous plots in films, or do you prefer not to question a movie? Tell us on Facebook.

    Related content:

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  • 23
    Jan
    2013
    7:34am, EST

    Adele set to perform 'Skyfall' at Oscar ceremony

    Reuters file

    Adele at the 2011 MTV Video Music Awards.

    By Georg Szalai, The Hollywood Reporter

    Adele will perform her Oscar-nominated theme song from "Skyfall" at the 85th Academy Awards ceremony, the show's producers said Wednesday.

    They said that the performance will be the first time she will have performed "Skyfall" anywhere live and her first U.S. TV performance since the Grammys last year.

    After a break from the spotlight due to her pregnancy, Adele recently appeared at the Golden Globes and accepted an award for the song there.

    The song, "Skyfall," from the James Bond film, is nominated in the best original song category at the Oscars. Written by Adele and Paul Epworth, it is the first Bond theme ever to debut in Billboard's top 10 chart and the first to be nominated for an Oscar since "For Your Eyes Only" in 1981.

    "It's an honor to be nominated and terrifyingly wonderful to be singing in front of people who have captured my imagination over and over again,” said Adele. “It's something I've never experienced and probably only ever will once!"


    Follow @ TODAY_ent

    "We have enormous respect for Adele's unique artistry as a songwriter and a singer," said Craig Zadan and Neil Meron, the producers of this year's Oscar show.  "She is currently one of the most successful recording artists in the world, and we believe that her performance of "Skyfall" will be an exciting Oscar moment for audiences watching at the Dolby Theatre and on television screens around the world."

    The Oscars will be handed out on Feb. 24, at the Dolby Theatre at the Hollywood & Highland Center. Seth MacFarlane will host the awards show on ABC.

    Related content:

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  • 10
    Jan
    2013
    7:35am, EST

    Adele to make first post-baby appearance at Golden Globes

    Jonathan Short / AP

    Adele.

    By Natalie Finn, E! Online

    Rumor had it that we'd be seeing Adele back in action soon. Guess what? True story!

    The British songbird is planning to attend the Golden Globes this Sunday in what will be her first public appearance since becoming a mom in October. (And, perhaps, the first time she reveals her little boy's name? We're hoping!)

    2013 Globes: Which fierce fashionista will rock the red carpet?

    And while it's pretty guaranteed that Adele will be basking in the glow of mass adoration, she might end up taking home a trohpy, too. 

    Her "Skyfall" theme is among the nominees for Best Song, along with Taylor Swift' "Safe and Sound" from "The Hunger Games," Jon Bon Jovi's "Not Running Anymore" from "Stand Up Guys," Keith Urban's "For You" from "Act of Valor"  and "Someday" from "Les Miserables." 


    Follow @ TODAY_ent

    Adele and boyfriend Simon Konecki became first-time parents on Oct. 19.

    Watch the Globes on Sunday on NBC at 5 p.m. PT/8 p.m. ET.

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  • 9
    Dec
    2012
    1:42pm, EST

    James Bond's 'Skyfall' beats 'Lincoln' at box office

    By Reuters

    James Bond showed remarkable staying power at the box office as the latest installment of the spy series, "Skyfall," collected $11 million in its fifth week in U.S. and Canadian movie theaters to top Steven Spielberg's "Lincoln" and "The Twilight Saga: Breaking Dawn - Part 2," the final installment of the blockbuster vampire series. 

    "Skyfall," the 23rd film in the series featuring Agent 007, also captured the box office when it first opened on November 2. Distributed by Sony's Hollywood studio, it is already the best-selling movie in the 49-year old series, and this weekend became the highest grossing movie in Sony Pictures' history with $918 million in ticket sales worldwide. "Skyfall" has brought in nearly $262 million from the United States and Canada, according to the movie tracking site Hollywood.com.

    Family flick "Rise of the Guardians" finished second with $10.5 million, working its way toward becoming the season's primary family hit in its third week.

    "Breaking Dawn - Part 2," which led the box office for the past three weekends, tallied $9.2 million. The five-movie series, released by Lions Gate Entertainment, is based on Stephenie Meyer's best-selling book about young vampire love and has collected more than $1.3 billion in overall domestic ticket sales.

    "Lincoln," produced by Dreamworks and released by Walt Disney, chronicles the 16th president's successful fight to pass a constitutional amendment outlawing slavery. It had ticket sales of $9.1 million, according to studio estimates provided by the box office division of Hollywood.com.

    Fox's "Life of Pi" rounded out the top five with $8.3 million.

    Hollywood studios shied away from scheduling major movies this weekend, steering clear of the expected blockbuster "The Hobbit," which Warner Brothers will release on December 14. The movie, based on the J.R.R. Tolkien fantasy novel about wizards and dwarves, features many of the same actors from the blockbuster "The Lord of the Rings" trilogy.

    Related content:

    • Review: 'Skyfall' is spectacular
    • James Bond lied to us: Death by paint unlikely
    • Review: 'Lincoln' an engrossing look at politics
    Copyright 2013 Thomson Reuters. Click for restrictions.

    26 comments

    I thought Lincoln was an outstanding movie. Not one that would necessarily appeal to the younger crowd as it was not full of "action." It was very thought provoking though and I expect it will get nominated for more than one Oscar this spring.

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  • 5
    Dec
    2012
    10:37am, EST

    'Skyfall' passes 'Avatar' as biggest hit ever at UK box office

    By Mike Collett-White, Reuters

    LONDON -- "Skyfall", the 23rd official James Bond movie, has become the most successful film in British box office history, earning 94.3 million pounds ($152 million), its producers said on Wednesday.

    Francois Duhamel / AP

    Daniel Craig as James Bond in "Skyfall."

    The tally, earned over 40 days, surpasses the previous record of 94.0 million pounds set by 2009 3D adventure film "Avatar" over its 11-month run in UK cinemas, although the figures do not take inflation into account.

    "Skyfall," which has been well received by critics, stars Daniel Craig in his third outing as 007, and is directed by Sam Mendes.

    In it, Bond and British spymaster M, played by Judi Dench, are pitted against technological wizard Silva (Javier Bardem) who is bent on revenge.

    "We are very proud of this film and thank everybody, especially Daniel Craig and Sam Mendes, who have contributed to its success," said co-producers Michael G. Wilson and Barbara Broccoli in a statement.

    Globally, "Skyfall" has some way to go to match "Avatar." It has earned $870 million in ticket sales around the world, according to movie tracking site Boxofficemojo.com, compared with "Avatar's" record $2.8 billion.

    According to the same website, "Avatar's" adjusted box office total comes in at 14th in cinema history, with the 1939 classic "Gone With the Wind" in pole position.

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  • 25
    Nov
    2012
    1:33pm, EST

    'Breaking Dawn' vampires too much for Bond, others at box office

    By Reuters

    Teen vampire film "The Twilight Saga: Breaking Dawn -- Part 2" continued to take a bite out of the domestic box office, drawing $64 million in ticket sales over the five-day Thanksgiving holiday weekend to finish ahead of James Bond film "Skyfall."

    Summit Entertainment

    After opening with a massive $141.1 million last weekend, the finale of the "Twilight" franchise brought in a holiday swarm of fans to see teen favorites Robert Pattinson, Kristen Stewart and Taylor Lautner, pushing "Breaking Dawn" to $227 million in total domestic ticket sales.

    "Skyfall," starring Daniel Craig in the 23rd installment of the James Bond franchise, finished second, collecting $51 million in weekend ticket sales in the United States and Canada, according to studio estimates compiled by the box office division of Hollywood.com.

    "Lincoln," Steven Spielberg's historical film on the last days of President Abraham Lincoln, grabbed third with $34.1 million over the Wednesday-through-Sunday period.

    Making its debut in fourth place with $32.6 million was the animated film "Rise of the Guardians," featuring the voices of Chris Pine and Alec Baldwin as the Tooth Fairy, Santa Claus and other childhood favorites who save the world.

    "Life of Pi," based on Yann Martel's 2001 best-seller about a boy who survives on a raft with a tiger after his ship sinks, collected $30.15 million for a strong fifth-place finish.

    "Rise of the Guardians," produced by Dreamworks Animation for roughly $145 million, had been projected by distributor Paramount Pictures to gross $35 million in its first five days, according to Box Office Mojo.

    Based on "The Guardians of Childhood" book series by children's author William Joyce, the film will be the last Paramount will release for Dreamworks, whose films will be distributed next year by News Corp's Fox studio.

    Anne Globe, Dreamworks' chief marketing officer, pointed to "the great parent reactions we've seen" to the film, and noting it was among the few choices for families through the end of year, said the studio was "hoping for very long legs through the holidays."

    The Ang Li film "Life of Pi," on the other hand, performed stronger than expected. "We clearly exceeded our pre-release expectations," said Chris Aronson, president of domestic distribution for 20th Century Fox.

    "We're seeing word of mouth in action, and a remarkably balanced demographic," including strong ticket sales among those under 25, he said, adding "Many felt it was impossible to film, but Ang Li pulled it off."

    The remake of the 1984 Cold War film "Red Dawn," finished seventh with $22 million in sales, behind animated feature "Wreck It Ralph"'s $23 million take.

    "Red Dawn" arrived at movie theaters four years after it was shot by MGM, but was delayed when the studio filed for bankruptcy in 2010. Last year, MGM decided to digitally alter the villains in the movie, inserting North Koreans instead of Chinese, after Hollywood began courting Chinese companies to help finance its films.

    Propelled by the vampires, secret agents, presidents and nursery school favorites, Hollywood ticket sales totaled $290 million for the holiday weekend, beating the holiday weekend high mark of $273 million recorded in 2009. Hollywood studios often release their biggest holiday films on Wednesday to take advantage of school breaks the day before Thanksgiving.

    The continued rush of fans to see teen favorites Pattinson, Stewart and Lautner pushed the "Twilight" installment to $227 million in total domestic ticket sales, making it the year's sixth-largest, according to figures compiled by Box Office Mojo.

    "Skyfall" with $221.7 million is just behind at number seven, while the year's box office champ remains "Marvel's The Avengers," which has taken in $623 million to date.

    Related content:

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    • 'Rise of the Guardians' is a charming holiday tale
    • 'Life of Pi' is a gorgeous film
    Copyright 2013 Thomson Reuters. Click for restrictions.
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  • 21
    Nov
    2012
    4:07pm, EST

    Thanksgiving movies offer a tasty buffet

    By Gael Fashingbauer Cooper, NBC News

    There've been a lot of reports this week about store employees whose Thanksgivings are being cut short so they can work Thanksgiving night. Where's the love for the movie theater employees, though, who will sacrifice turkey-nap time so they can pop the corn, rip the tickets and tell you to "enjoy the show" once more and with feeling? (Except for "John Carter." No one can enjoy that turkey.)

    MGM/Sony, 20th Century Fox, Disney

    Your Thanksgiving movie menu is varied this year. "Skyfall"? "Life of Pi"? "Wreck-It Ralph"? "Lincoln"?

    For some, turkey-trotting over to the cinema on Thanksgiving is an American tradition as great as Grandma's pumpkin pie recipe. But you want to make that theater time count. Here's our movie editor's guide to what to see, and with whom.

    TOP PICK
    'Skyfall'
    For a while, it looks as if super-spy James Bond might have been shaken, stirred and stuck on a shelf. Thanks to MGM's bankruptcy woes, "Skyfall" was trapped in limbo tighter than a Bond girl's cocktail dress. But "Skyfall" finally hit theaters this month, and if you haven't seen it,  you need to. Exotic locations (Turkey, Macau!), thrilling action sequences (includng one on a train!), spy versus spy intrigue, Bond family history, gadgets and more. Former Bond Sir Roger Moore himself told NBC News.com that after he saw the film, he emailed Bond producer Barbara Broccoli and told her she'd saved the franchise for another 50 years.
    Review: 'Skyfall' is a spectacular way for Bond to turn 50 

    TAKE THE KIDS
    Older kids (5 and over): 'Wreck-It Ralph'
    Parents whose 1980s memories are sharp enough that they still can mentally move Pac-Man through that maze will love "Wreck-It Ralph," but kids will enjoy it too. Bad-guy Ralph escapes his game in a quest to be a hero. Parents of tiny tots should know there's a foray into a first-person shooter game -- filled with creepy cy-bugs -- which might overwhelm the littlest ones.
    REVIEW: Visually dazzling 'Wreck-It Ralph' scores high 


    Follow @ NBCNewsEnt

    Younger kids: 'Rise of the Guardians'
    Sure, Santa, the Easter Bunny, the Sandman and the Tooth Fairy fight evil together. Why not? In this enchanting new 3-D film, they enlist young Jack Frost to help them battle Pitch, a giver of bad dreams. Like "Wreck-It Ralph," this one's also PG, as Pitch and his swirling black nightmare horses might deliver a bad dream themselves. But my preschooler was enchanted more than disturbed.
    REVIEW: 'Rise of the Guardians' is a charming holiday tale 

    FOR HISTORY BUFFS
    If you like modern history: 'Argo'
    Those 1970s mustaches! The dial phones! It's the late 1970s all right, and the wonderful "Argo" thrusts you right back there as the Iranian Hostage Crisis grips the nation. But instead of focusing on the 52 hostages who were held for 444 days, the film hones in on a lesser-known event, the rescue of six embassy employees using a fascinating cover story claiming they were Canadians scouting locations for a science-fiction movie. The outstanding cast (Ben Affleck, John Goodman, Bryan Cranston, Alan Arkin) appeals to all generations.
    REVIEW: 'Argo' offers tight political thriller with unexpected humor 

    If you prefer the older stuff: 'Lincoln'
    You should know going in: Steven Spielberg's "Lincoln" is not a battle film. But you never feel it lacks for action, as the president and his men work every conceivable angle to lobby enough congressmen to vote to abolish slavery.  Daniel Day-Lewis gives us perhaps the most accurate portrayal possible of the great man himself, mixing leadership with his own patented blend of homespun storytelling. (Don't miss the anecdote about George Washington's picture in a British bathroom.) You'll see Day-Lewis' name come Oscar time.
    REVIEW: 'Lincoln' makes backroom politics fascinating 

    FOR BOOK LOVERS:
    If you prefer modern fiction: 'Life of Pi'
    Book clubbers, you remember reading this. Yann Martel's 2001 bestseller-turned-movie tells the fantastical tale of Pi Patel, an Indian boy who finds himself at sea in a lifeboat with some very hungry zoo animals, including a Bengal tiger named Richard Parker. If you're the kind of moviegoer who needs everything to feel realistic and explainable, this is perhaps not the film for you. But if you're willing to suspend belief, director Ang Lee has spun a wonderful 3-D fable that doesn't require you to read the book.
    REVIEW: 'Life of Pi' a gorgeous rendering of best-selling novel

    If you love romantic classics: 'Anna Karenina'
    Maybe you read it in a college literature course, or maybe you just know the title in case it's ever a question on "Jeopardy!." There's a reason Leo Tolstoy's "Anna Karenina" has been made into a movie a dozen times -- its tale of a 19th century Russian wife and the way she stumbles into doom when she has an affair is riveting. In this version, Keira Knightley spellbinds as Anna, and director Joe Wright's imaginative, stylish take gives an old story a new twist.
    REVIEW: 'Anna Karenina' is a bold adaptation of classic novel 

    FOR RETRO NUTS:
    Stuck in the 1980s: 'Red Dawn'
    We're not convinced anyone was really begging for a remake of the 1984 Russian invasion drama "Red Dawn," but here it is. This time, the Russians aren't the enemy, it's the North Koreans, who were hastily painted in when filmmakers decided not to risk offending their first choice, the Chinese. But if you're well into the eggnog, grab those pals who knew you back when you wore leg warmers and shoulder pads, and relive those cheesy old lines you screamed back in the day. WOLVERINES! AVENGE ME!
    REVIEW: 'Red Dawn' remake makes silly premise even dumber 

    Longing for the 1960s: 'Hitchcock'
    No, you can't take the carving knife to your pompous Uncle Henry at Thanksgiving dinner. But you can take him, and any film buffs at your table, to watch that knife famously used in the "Psycho" shower scene in the new biopic "Hitchcock." Anthony Hopkins plays the legendary director as he battles to get the 1960 film made, with Helen Mirren as Alma, his wife and muse. You may have to hunt around for this film, as it's more likely to be found in arthouse theaters than megamall cineplexes.
    REVIEW: 'Hitchcock' takes absorbing look at famed director 

    Gael Fashingbauer Cooper is the movies editor for NBCNews.com and the co-author of "Whatever Happened to Pudding Pops? The Lost Toys, Tastes and Trends of the '70s and '80s."

    Related content:

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  • 18
    Nov
    2012
    6:58pm, EST

    James Bond actor visits British troops in Afghanistan

    By Reuters

    James Bond actor Daniel Craig surprised British troops in Afghanistan on Sunday by turning up at Camp Bastion in Helmand Province to introduce the latest 007 movie "Skyfall" as 800 soldiers sat down to watch it. 

    REUTERS

    Actor Daniel Craig speaks to military personnel during a visit to Camp Bastion in Helmand Province, Afghanistan.


    Follow @ NBCNewsEnt

    According to the Ministry of Defence, after giving a brief speech ahead of the screening, the 44-year-old actor was given a tour of the camp and met soldiers to see some of the training they underwent before being deployed to forward operating bases. 

    He also fired some of the machine guns used by British forces in Afghanistan and visited Bastion Role 3 Hospital which specializes in treating trauma patients.

    "It was really good morale for everyone -- it's a decent thing for him to take time to come out and visit everyone here," said Private Scott Craggs who serves as a medical technician.

    "Skyfall", the 23rd official James Bond movie in the 50-year-old franchise, is now the highest-grossing instalment in the series with a global box office take of $669 million, surpassing the $599 million taken in by "Casino Royale" in 2006.

    Craig has starred in the last three Bond movies.

    Are you a Craig fan? Tell us on Facebook.

    Related content:

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    • Roger Moore picks his favorite Bond
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    • James Bond lies to us: No death by gold paint
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  • 15
    Nov
    2012
    9:12am, EST

    Roger Moore: Daniel Craig is now my favorite James Bond

    By John Yuro, NBC News

    This year not only marks James Bond’s 50th anniversary onscreen, but also 40 years since Sir Roger Moore accepted the role that Sean Connery defined.

    © Danjaq LLC, United Artists

    Roger Moore played James Bond between 1973 and 1985.

    Moore’s first outing as the famed 007 came in 1973’s “Live and Let Die.” He appeared in a total of seven of Albert “Cubby” Broccoli’s films, concluding with “A View to A Kill” in 1985, the most of any Bond actor to date.

    Moore, now 85, visited NBC News to talk about his new book, “Bond On Bond,” and his thoughts on the newest film, “Skyfall.”

    NBC: Do you still feel a connection to the James Bond series?

    Moore: Yes, certainly. [“Skyfall” producers] Barbara Broccoli and Michael Wilson are friends of mine. I’m always interested in how production is going. I have two sons who both worked on Bonds from time to time. So yes, we’re part of the family.

    NBC: You’ve said in the past that Sean Connery will always be the best Bond, but you recently commented that Daniel Craig is now your favorite.

    Moore: If I had been able to see “Skyfall” before finishing the book, I would have then had to have written a chapter about Daniel Craig, who is a superb Bond. I think it has guaranteed another 50 years for the franchise.

    NBC: What would you have said in that chapter?

    Lyons Press

    Moore: I would have liked to talk about his performance in “Casino Royale.” His bravery in looking like he knew what he was about in “Quantum of Solace,” which I didn’t understand. I don’t think anybody did. But with Sam Mendes directing, “Skyfall” to me is just an extraordinary piece of motion picture.

    NBC: Do you look at any of the other Bond movies and say, ‘I think I did a better job portraying the character?’

    Moore: No, I would never say that. If I happen to see one of mine playing on television, if my wife wants to see it, I think I could have done everything better.

    NBC: Are you proud of the films you made?

    Moore: I’m happy that I lasted long enough, that I fooled them long enough.

    NBC: An article published in British GQ this month said, “No one can agree on who the best Bond is. However, ask people which actor is their favorite, and most say Sir Roger Moore.” It says you’re handsome and funny, which hadn’t been seen since Cary Grant.

    Moore: Well I have to agree. Cary was actually a good friend of mine. He was a lovely, warm, funny man, and a marvelous actor.

    © Danjaq LLC, United Artists

    Roger Moore in 1985's "View to a Kill."

    NBC: “Skyfall” director Sam Mendes said in an interview that he feels Bond movies aren’t rooted in the novels, but in Hitchcock films. He said “North by Northwest” could be seen as the first true Bond film, that Cary Grant played the antecedent of the Bond character.

    Moore: He could be right, come to think of it.

    NBC: If Cary Grant had played Bond first, would you have been comfortable following in his footsteps?

    Moore: No, I would have been terrified. I think that’s one time when you say I’m not going to live up to the expectations that he would produce for his heir. But he had the epitome of sophistication. Cary’s humor was completely scatological. He loved whoopee cushions. He just adored that sort of thing.

    NBC: Going through some of the earliest reviews of the Bond films, they often mention the color photography or landscapes in some way. It takes much more than that to bring in audiences today, doesn’t it?

    Moore: Well certainly. In the '50s and '60s. travel was out of the reach of most people. They couldn’t go to exotic locations, which the Bond films used. Now they can go to those places, so Bond has had to step up its game a little.

    NBC: You wrote in your book that “Skyfall” should be “enjoyed in a theater with 350 of your local neighbors.” That reminded me of an article I read, expressing concern that the modern movie experience is no longer social. Instead of going to theaters, people are simply streaming movies on computers. It’s become solitary.


    Follow @ NBCNewsEnt

    Moore: I think people are missing a great deal. I don’t think there is anything quite the equivalent of dressing up, though people dress down now to go. I don’t like everybody sitting around having their dinner sitting around me. Popcorn rustling. But they’re certainly improved since back in the days when I first came to America in the early '50s. People smoked in the cinemas. And the cigars, terrible King Edwards, would stink. You came out of the cinema really smelling.

    NBC: You’ve said that “A View to A Kill,” your last Bond movie, was unnecessarily violent. Do you think it’s really that bad now, compared to today’s movies?

    Moore: I think violence has become pornography, actually. The amount of violence, I don’t particularly enjoy it. I suppose that’s ridiculous, coming from somebody who’s done nothing but films where there are explosions and guns.

    NBC: What do you think it says about today’s age, if the movies are that violent?

    Moore: I don’t think they have to be that violent. One tries to out-do the other. Also, there’s a little too much fantasy for me, with steel men... I like good old-fashioned romantic comedies. Cary Grant movies.

    NBC: “Skyfall” has been getting great reviews. Do you think the reception has anything to do with them bringing a bit more humor back into the films?

    Moore: There are all sorts of things as to why it’s getting such good reception. Adele’s music track goes back to the John Barry style. It’s not stealing from John Barry, but you’re thinking, ‘this is a Bond film.’ It has locations not seen very often on the screen. There’s extraordinary stunt work, like the whole cycle chase and the fight on the train. Great stuff.

    NBC: You attended the “Die Another Day” premiere in 2002, celebrating the 40th anniversary of Bond on screen. It’s now been 50 years. Do you think Bond is in a better place now than it was then?

    Moore: It certainly is now. My reaction when seeing “Skyfall,” I emailed Barbara Broccoli and said how [her parents] Dana and Cubby would be so proud of what you’ve done with “Skyfall.” It’s another 50 years of life guaranteed to Bond.

    Who's your favorite Bond? Tell us on Facebook.

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  • 11
    Nov
    2012
    1:42pm, EST

    'Skyfall' has biggest Bond opening ever in US with $87.8 million

    By Pamela McClintock, The Hollywood Reporter

    Sam Mendes' James Bond pic "Skyfall" easily seduced the North American box office with a potent $87.8 million debut, bringing its worldwide cume to $518.6 million.

    The film's four-day domestic total is $90 million, including $2.2 million earned in exclusive Thursday runs in IMAX and other large-format theaters.

    More from THR: How the Bond Franchise Almost Died

    Returning Daniel Craig in the role of 007 for a third time, MGM and Sony's "Skyfall" nabbed the biggest domestic opening for a James Bond pic. It also marked Sony's ninth No. 1 opening this year.

    "Quantum of Solace" debuted to a series-best $67.5 million in mid-November 2008, and "Casino Royale" -- marking Craig's first turn as 007 -- opened to $40.8 million in November 2006.

    "Skyfall" is doing massive business overseas, where it grossed $89 million during the weekend for an international total of $428.6 million. The pic began rolling out two weeks ago overseas.

    The 23rd installment in the Bond franchise is certain to surpass the $586.1 million earned by "Quantum of Solace" and the $594.2 million grossed by "Casino Royale" in their entire worldwide runs.

    Photos from tHR: The Making of 'Skyfall': Bond is Back, Better Than Ever


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    "It's been a wild, fantastic ride," Sony president of worldwide distribution Rory Bruer said. "The holds have been extraordinary and people will want to see this film again and again."

    Domestic box-office revenue was up an impressive 27 percent over the same weekend a year ago thanks to "Skyfall" and a strong crop of holdovers including "Wreck-It Ralph," "Flight," "Argo" and "Taken 2."

    "Skyfall" generated stellar numbers for IMAX theaters, which took in $13.1 million, the best debut for a nonsummer opening. IMAX's worldwide weekend number is expected to come in at $15.8 million for a $28 million cume.

    Produced by Bond house EON Productions, "Skyfall's" domestic opening was buoyed by an A CinemaScore and stellar reviews. The film skewed older, with 75 percent of the audience over age 25. Males made up 60 percent of those buying tickets.

    This time out, cinema's most famous spy must save both M -- again played by Judi Dench -- and MI6 from former operative-turned-villain Raoul Silva (Javier Bardem). The movie also stars Ralph Fiennes, Naomie Harris, Berenice Lim Marlohe and Albert Finney.

    "Skyfall" cost about $200 million to make after rebates.

    Video from THR: 'Skyfall's' Daniel Craig on Bond: 'He Has to Face Up to a Few Demons'

    Opening in only 11 cities before it expands nationwide Nov. 16, Steven Spielberg's "Lincoln" likewise earned an A CinemaScore and strong reviews. The DreamWorks film is distributed domestically by Disney.

    "Lincoln," starring Daniel Day Lewis as the 16th president, grossed $900,000 for a pleasing location average of $81,818.

    "The King's Speech" posted a per-screen average of $88,863 in its opening weekend in 2010, though that film debuted in just four theaters. "Black Swan" debuted in 18 theaters that year, posting a screen average of $80,212.

    Disney Animation Studios' "Wreck-It Ralph" continued to be a box-office hit, falling a narrow 33 percent in its second outing to come in No. 2 for the weekend, grossing $33.1 million for a domestic cume of $93.7 million. The 3D toon earned another $11.2 million overseas for a global total of $120 million.

    Paramount's awards hopeful "Flight," directed by Robert Zemeckis and starring Denzel Washington, came in No. 3 in its second weekend, grossing a pleasing $15.1 million for a domestic total of $47.8 million.

    Ben Affleck's "Argo" stayed high on the chart, grossing $6.7 million to place No. 4. The Warner Bros. pic has earned $85.7 million domestically.

    "Taken 2," from 20th Century Fox and EuropaCorp, placed No. 5, earning $4 million for a domestic total of $131.2 million.

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  • 9
    Nov
    2012
    9:28am, EST

    James Bond lied to us: Death by gold paint unlikely

    By Randee Dawn, NBC News contributor

    If 50 years of James Bond movies have taught us anything, it's that virtually any gizmo will work, any super-villain will have a super-crazy quirk, and there's pretty much no situation our Double-Oh hero can't escape, often with a quippy double entendre to toss over his shoulder.

    Matthew Lloyd / Getty Images

    Can you die from being covered in gold paint?

    But what's the real scoop behind what the films show us? Just in time for the release of the latest Bond film "Skyfall," we tracked down experts in four fields: Dermatology, dentistry, drinks and death (the 007 variety) to suss out the truth behind the myth.

    Does a "license to kill" actually exist?
    Answer: Yes.

    While real-life British MI6 agents may not live anything like the lifestyle of James Bond, the secret service's elite intelligence officers were permitted to kill enemies abroad, said Michael Smith, author of "SIX: The Real James Bonds." The practice goes as far back as the early 20th century; one agent was involved in the 1916 murder of the Russian Grigori Rasputin, and an attempt was made on the life of Egyptian President Abdel Gamel Nasser.

    MI6 officers continue to operate around the world, and while there is no actual "license to kill," the 1994 Intelligence Services Act -- which Smith said was designed to formalize MI6's practices -- "gave intelligence officers the right to do anything that would otherwise be considered a criminal act in the UK, from murder to bigamy, so long as the mission is signed off by the Foreign Secretary," he wrote in an email.

    Columbia Pictures

    Daniel Craig as James Bond.

    As for that "00" designation -- there was such a system in place. An MI6 station chief would be designated with 5 figures, the two-digit designator of the country he was based in, followed by 000. (Germany would be 12000, then; his first agent would be 12001, the seventh, 12007.)

    But lest anyone think Britain is alone in sanctioning intelligence officers to kill if necessary, so did other countries. Smith noted that the Russian KGB had a name for assassinations: a "wet job."

    Can you die if you're covered in paint?
    Answer: Not as portrayed in 'Goldfinger' 

    In "Goldfinger," Jill Masterson is smothered in gold paint, which either created or reinforced the apocryphal belief that being covered from head to toe in any substance would induce suffocation, since the skin is an organ. Nonsense, said David E. Bank, a dermatologist in Mount Kisco, N.Y. 

    Watch on YouTube

    Humans, he said, take in oxygen through the nose and mouth. "We don't breathe through our skin," he said. "A person is not going to suffocate." 

    Of course, if you dipped someone in molten gold, that would be a different story. "Then she would have burned to a crisp," he said. "To get gold to the point where it's a liquid you can plate on something, you'd burn the body to being unrecognizable."

    Now, if the paint had toxic elements in it -- mercury or lead -- then someone covered in it could be poisoned. But that wouldn't be instantaneous, as it would have to penetrate into the individual's bloodstream.

    "Mythbusters" looked into this phenomenon in 2009, and learned that while death didn't result, a painted person did undergo shifts in his blood pressure and body temperature.

    Can someone have super-strength in their jaws thanks to wearing metal teeth?
    Answer: No. 

    One of the most beloved villains in the Bond universe is Richard Kiel's Jaws, the tall, imposing henchman who appears in "The Spy Who Loved Me" and, later "Moonraker." He's got incredible steel teeth (predating rappers and their love for "grills") and apparently a very strong jaw -- at one point he's shown tearing through a steel cable with his teeth. 

    And while steel-covered teeth are a possibility, Matthew Messina, a dentist who practices in Ohio, said they wouldn't have that kind of tearing force. "We're still bounded by muscles and bone," he noted. "There's only so much power we can generate. He'd have an easier time with those plastic security devices they put on clothes in the store." ("Mythbusters" also came to a similar conclusion.)

    "Moonraker."

    Watch on YouTube

    He would also be at risk for magnets -- in "Spy," Jaws is lifted by a powerful magnet and carried into the air once it attaches to his teeth, something that could in fact happen, said Messina. 

    But in the long run, steel-coated teeth would have a different kind of deadly effect: They would irritate the gums almost immediately, food could get trapped between them and the actual teeth, and cause tooth decay. It's some of the same issues Messina said he sees in non-precious-metal grills some people wear today: The gums get irritated and the cheaper metals contain nickel, which is poisonous if it gets in the bloodstream. And then, there's the tooth decay issue. 


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    "Even the actor would have had some very sore gums from wearing those prosthetics in the movie," he said. "He would also not be the guy you wanted to sit next to at lunch, owing to his bad breath."

    Are martinis better shaken, or stirred?
    Answer: Experts disagree. 

    Traditionally, James Bond asks for his martini to be "shaken, not stirred." So is this the way to drink your concoction? The answer is as mixed as the drink.

    Old-timers say never shake a pure spirit drink, said Tim Keller, director of beverage for TAO Group in Las Vegas. By shaking it (with ice), the alcohol gets diluted and murky, and the taste changes. "Vodka tastes as close to nothing as possible, so traditionalists say always stir it," he said. But others say shaking the drink releases antioxidants and it has a better health benefit -- not that most people are quaffing alcohol for the health properties. 

    Watch on YouTube

    Keller says it's possible that when Ian Fleming wrote his books and the Bond films were first starting, shaking actually made more sense than it does today: Back then, vodkas were largely made with potatoes, and had an oilier taste that could be broken up by adding ice and water. But that's changed; vodkas today are made with a wide variety of vegetables and grains.

    So what if you prefer a gin martini? That's a slightly different animal, said Keller. "People who drink gin are more particular in how they like their martinis made -- some like the ice cubes to be rinsed in it, for example. From my research in the first book Fleming wrote, Bond had a Gordon's gin martini."

    But watch out: Asking for shaken not stirred may get you your drink, but probably won't earn you the respect of the bartender. "It's a little cheesy," said Keller.

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  • 9
    Nov
    2012
    9:12am, EST

    'Skyfall' is a spectacular way for James Bond to turn 50

    By Todd McCarthy, The Hollywood Reporter

    REVIEW: The movie James Bond is now 50 years old and wearing his years very well in "Skyfall." The most significant reset of the 23-film series that's unconnected to a change of the actor playing 007, this long-awaited third outing for Daniel Craig feels more seriously connected to real-world concerns than any previous entry, despite the usual outlandish action scenes, glittering settings and larger-than-life characters.

    Dramatically gripping while still brandishing a droll undercurrent of humor, this beautifully made film certainly will be embraced as one of the best Bonds by loyal fans worldwide and leaves you wanting the next one to turn up sooner than four years from now.

    PHOTOS: 'Skyfall': New Photos of Daniel Craig as James Bond, Javier Bardem as Villain Raoul Silva

    Bond watchers have been especially eager for "Skyfall" to arrive for several reasons, particularly to see if the Craig sequence of films can bounce back from the crushing low of "Quantum of Solace" after starting so high with "Casino Royale" and to evaluate what fresh perspective might be delivered by such big and unexpected talents as director Sam Mendes and cinematographer Roger Deakins.

    The answers are “yes” to the first proposition and “quite a bit” to the second.

    PHOTOS: Fall Movie Preview 2012: Major New Releases From Spielberg, Jackson, Tarantino, the Wachowskis, Burton and More

    Whereas "Casino Royale" tasted like a fine old vintage served in a snappy new bottle, "Skyfall" seems like a fresh blend altogether, one with some weight and complexity to it. Much of this, to be sure, stems from Mendes, who, with series veteran writers Neal Purvis and Robert Wade along with John Logan, yanks Bond, M and MI6 out of the world of colorful megalomaniacal villains and into the vexing world of shadowy terrorists and cyber warfare.

    In the process, they also give Bond not only a few aches and pains, but a sense of mortality, exemplified by a credits sequence festooned not by silhouetted naked women but by images of the secret agent's tombstone and of his being sucked to his doom underwater. Since it happens in the 10-minute action opener, it's giving nothing away to say that -- after an elaborate and logistically outrageous chase through the streets and bazaars and over the roofs of Istanbul, and then on top of a train into the countryside -- M is seen writing her veteran agent's obituary.

    He has survived, of course, but his brush with death has been so close that Bond goes Jason Bourne for a while, holing up anonymously on a tropical beach with a babe and drinking himself to oblivion. But when the modern new London headquarters building of MI6 explodes in a terrorist attack, Bond reports back for duty to a boss who herself is being none too gently being shown the door by intelligence and security committee chairman Gareth Mallory (Ralph Fiennes).

    In fact, all British agents embedded within terrorist organizations have been compromised and are beginning to be killed, making M look incompetent and Bond seem a bit of a dinosaur whose wits and brawn are no match for high-tech warriors.

    “So this is it, we're both played out,” he says to her -- prematurely, as it turns out, though Bond still is put through some arduous tests to re-earn his old job back. Bond never has endured so many rude remarks about his physical prowess since Sean Connery made his middle-aged one-shot return to the role in the ill-advised "Never Say Never Again." For her part, M plays a more central role here than she has before, and Judi Dench, as usual, makes the most of the opportunity, investing her authority role with great dignity undercut with a sliver of insecurity.

    The globetrotting continues to Shanghai, where the striking high-rises make a terrific nocturnal backdrop to Bond's stealthy pursuit of the assassin/hard-drive thief he narrowly missed in Istanbul. From there it's on to Macau, where the old Bond re-emerges in a tuxedo to drink his martini (very smartly shaken, not stirred, by a deft lady bartender) in a casino where he gets hot and heavy with the striking yet nervously neurotic Severine, who is given a distinctive preoccupied edge by Berenice Lim Marlohe. Trailing along behind to keep an eye on things and trade dry banter (and perhaps more than that) is field agent Eve, very engagingly played by Naomie Harris.

    It is Severine who can take Bond to the man who's causing all the trouble. In a scene of surpassing beauty and weirdness, by yacht the two approach a strange island city, from which the entire population has just fled. It has just been taken over by a strange tall man with dyed blond hair, insinuating humor and heavily armed henchmen. At the 70-minute mark, Javier Bardem makes his fabulously staged entrance as Silva, who, like many Bond villains of the past, is half persuasive and half lunatic, has delusions of exceptional grandeur and is partial to explaining many things to his captive before he means to kill him. He also has a theatrically sexual side that brings something new to the gallery of Bond villains. In all events, Bardem makes him a riveting and most entertaining figure.

    Even if Bond is able to turn the tables on Silva and bring him back to London as a prisoner, that's far from the end of it, as Silva is one resourceful chap whose advanced computer skills test the expertise even of the new Q, the MI6 weapons and technology guru now reimagined as a very young man and wonderfully played in full geek drag by Ben Whishaw. The scene in which he and Bond meet for the first time in an art gallery is an instant mini-classic.

    Ultimately, there is a very conscious, even articulated effort to balance the old and new, the traditional and the modern in "Skyfall" -- stylistically, dramatically and thematically. Longtime series producers Michael G. Wilson and Barbara Broccoli never have gone so far as to hire a full control-demanding auteur to direct one of their films, and while Mendes certainly is the most distinguished outside director they've ever brought aboard, he's one as tradition-minded as he is innovative.

    Many of the dramatic scenes would do justice to a nongenre film, and the same can be said of the quality of the acting. The traditional quips surface at times in low-key form; some of them are quite good, and they're never corny. The action, much of it presumably staged by veteran second unit director Alexander Witt, is consistently strong (even if a motorcycle-and-jeep chase through the jammed streets of Istanbul reminds, as did a recent one through Manila in "The Bourne Legacy," that motorized chases through thick urban crowds are never entirely convincing).

    Tonally, the fundamental seriousness of the film places "Skyfall" at the other end of the Bond spectrum from the monkeyshines of some of the silliest Roger Moore entries, such as "Moonraker" and "A View to A Kill."

    The long climax, set at an isolated old house in Scotland presided over by a thickly bearded Albert Finney, plays out partly like a highly elaborated version of "Straw Dogs," albeit with far heavier artillery. The moving and highly satisfying ending nicely tees up the ball for the next round.

    Deakins' cinematography is dense, colorful and impactful, noticeably a notch or two above the series’ norm. Production values are similarly at the high end of things, and Thomas Newman's score is far from generic, finding many moods while delightfully allowing room for Monty Norman's immortal Bond theme when the moment calls for it.

    And, oh yes, there's Daniel Craig. He owns Bond now, and the role is undoubtedly his for as long as he might want it. Perhaps a tad less buff than in "Casino Royale" and certainly more beat up, he entertains the ladies less here than perhaps any Bond ever has. But two other women, his boss and the queen, have first call on his favors, and he repays them for their confidence many times over -- as he does the audience.

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Gael Fashingbauer Cooper, NBC News

Gael Cooper is the movies editor for TODAY.com and a pop-culture junkie. She is the co-author of "Whatever Happened to Pudding Pops?" and "The Totally Sweet '90s."

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